« Untitled 2002 (he promised) | Main | News Reader, by Noah Wardrip-Fruin, David Durand, Brion Moss, and Elaine Froehlich »

October 07, 2004

The Wireless Invisible

issue15_graphic.jpg

Sound Tracks and Data Footprints

"Stalking the footfalls and echoes of the wireless invisible" by Tobias C. van Veen, Horizonzero, Issue 15: New Movements in Digital Music

When what is "useful" is defined in terms of its market, when GPS directions lead to the nearest McDonald's, then wireless art becomes yet another pervasive intrusion, a one-way dictation. The ephemeral terrain of wireless art in all its forms is a floating, multicast struggle where the century old battles of radio are being re-played out. Yet - this time with Open Source software and technologies; with artist-driven hardware development; with a programmer's technique and a hacker's verve; and, like a hive, with a collective approach to anticipating the enemy's moves on the global level. This machine aims to engage the participant in the game: encouraging the step of becoming a content-creator rather than just a passive receptor, disrupting the sender/receiver of communication, the fortress of static/noise, of what defines efficiency and usability. The target of producing ever new and publicly-oriented ways of engaging life through the tendrils of technology is in sight. This disruptive yet productive desire has been a persistent dream since the avant-garde encountered radio one hundred years ago. Read article.

Posted by jo at October 7, 2004 08:36 AM

Comments

Hmm, Trackback is slow to your site! It registers the trackback (you've got "1"), but there is no text. Strange. tV

Posted by: tV at October 8, 2004 10:24 AM