Networked_Music_Review / spoken-word
Scroll to prev post Scroll to next post

Category: spoken word

Turbulence Commission: “Public Works” by Chris Mann

mann_285.jpgTurbulence Commission: Public Works by Chris Mann [Needs Firefox and Speakers/Headphones]:

Either/Or performed the world premiere of Public Works at ISSUE Project Room on June 23, 2012.

For any standard instrumentation (string trio or quartet, wind quintet, whatever) playing standard repertoire. Having chosen a piece from repertoire, each player to play other than their usual instrument (first violin to play cello, for example), and play only those notes they deem necessary (because they give the player an opportunity to change their mind, because they make other notes possible, or for some other reason other than their mere existence). Once started, there should be no attempt to synchronise time.

Public Works is a 2012 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was made possible with funds from the New York City Department of Cultural Affairs, in partnership with the City Council. Continue reading

Jul 15, 2012
Comments (0)

Broadcast Art, Sound & Independent Culture

basic_fm.pngBroadcast Art, Sound & Independent Culture :: Call for Participation – Deadline: February 20, 2012; 5:00 pm. Continue reading

Jan 22, 2012
Comments (0)

NMR Commission: “More of the Same” by LoVid

moreofthesame_300_95_icon.jpgMore of the Same by LoVid [Start slowly with 1; close each popup window before launching the next] – More of the Same extends LoVid’s investigation of electrical irregularities and human interactions. After it loads copies of a single sound sample, fissures in the digital veneer are explored as the spoken communication is played back repeatedly. Though each instantiation of the speech is identical, physical constraints affect the timing. This allows the nature of the medium to peek through the cracks in the voices. Continue reading

Jun 1, 2011
Comments (0)

Trimpin premieres The Gurs Zyklus [us Palo Alto, CA]

medium_trimpin_bw.jpgTrimpin premieres The Gurs Zyklus at Stanford University’s Memorial Auditorium on May 9, 2011 as part of Stanford Lively Arts’ 2010-11 Season.

The Gurs Zyklus (Gurs Cycle) is a performance that combines instrumental and vocal music, sculpture, and spoken word. In some ways, it is a culmination of many aspects of Trimpin’s career and personal biography, drawing together elements of his childhood in Germany, his artistic practice as an instrument-maker and the history of the internment camp at Gurs, near the Spanish-French border. Born in Istein, Germany (now Efringen-Kirchen) in 1951, Trimpin was haunted by the camp at Gurs, where Jews from Istein were interned during World War II. As an adult, he worked with composer Conlon Nancarrow, who revealed that he had been held at Gurs during the Spanish Civil War. Continue reading

May 9, 2011
Comments (0)

NMR Commission: “Voices from the Paradise Network” by John Hudak

hudak_300.jpgVoices from the Paradise Network by John Hudak, with Flash programming by [Needs Flash Player and speakers on] – John writes: My mother-in-law passed away recently, reminding me of a technique that a parapsychologist named Dr. Konstantin Raudive (1906-1974) used to record what he purported to be voices of deceased spirits. With the amount of information moving around on the internet these days, and the passing of my mother-in-law, who I thought would want to get in touch (if possible), I thought I’d give Raudive’s technique a try within the digital realm. Continue reading

Mar 6, 2010
Comments (1)

Live Stage: Anne Bean at Campbell Works [uk London]

encounter.jpgAnne Bean at InCounter :: November 28, 2009; 8:00 – 11:00 p.m. :: Campbell Works, 27 Belfast Road, London.

Anne Bean will be performing with Bow Gamelan Ensemble collaborator, sculptor Richard Wilson and Susie Honeyman of The Mekons, at InCounter – a night of live sonic art, performance and video, at Campbell Works in Stoke Newington, London. Also performing will be Artsadmin Bursary recipient Melanie Clifford, and a wealth of other artists.

Campbell Works is the creative partnership of artists Neil Taylor & Harriet Murray. Their studio practice extends to running an artist led gallery space, initiating and curating art projects, and undertaking a wide range of public realm interventions. Continue reading

Nov 27, 2009
Comments (0)

Live Stage: Homler, Delia and Liberovskaya [us Medway, MA]

anna.jpgAnna Homler, Michael Delia and Al Margolis :: October 23, 2009, 7:00 – 9:00 p.m :: Enchanted Fox, 174 Main St., Medway, MA.

[image: Anna Homler]

L.A. based spoken-word and intermedia artist Homler has worked with instrument builder and sound and visual artist Delia. Delia has worked with composer Margolis and video artist Liberovskaya. Now they will all work together. The adventure begins with toys, homemade instruments, live sampling, pre-recorded sound, voice, words and live video.

Anna Homler; Michael Delia; Al Margolis.

Oct 14, 2009
Comments (0)

Live Stage: Interactive Lecture Series [us Los Angeles]

1248298190image_web.jpgOJO Presents Interactive Lecture SeriesAn Engagement Party Event :: August 6, 2009; 7:00 – 10:00 pm :: MOCA, Ahmanson Auditorium, 250 South Grand Avenue, Los Angeles, CA.

Interactive Lecture Series will consist of a series of lectures, each of which will act as a musical score, with the speaker, audience, space, and environment functioning as compositional elements. As talks are presented on various topics, members of OJO will take up position beside the lectern as the house band, using audio trickery to affect the audience’s reception of live speech. Focusing on specific words and phrases in order to induce listeners to react in all sorts of ways, their interventions should lead to chaotic and memorable lectures. Continue reading

Jul 30, 2009
Comments (0)

Live Stage: Aesthetic Evidence [us Cambridge, MA]

halsey.jpgAesthetic Evidence :: May 1, 2009; 8:00 – 9:30 pm :: MIT Museum, 265 Mass. Ave, Cambridge, MA.

Aesthetic Evidence will create an audio-visual experience based on the theme of ‘elements’ and inspired by spoken human voice recordings. Members of the group have recorded responses to specific questions from a variety of participants over the past several months. These recordings along with traditional and electronic instruments and related video footage will act as the raw material for this partially composed, partially improvised performance. Continue reading

Apr 23, 2009
Comments (0)

“Dream Sweepers” by APO33 [fr Amiens]

dream1.jpgDream Sweepers by APO33 (led by Jenny Pickett & Julien Ottavi) :: February 3 – 20, 2009 :: Art School Gallery of Amiens.

Dream Sweepers is a sound sculpture using speech (narration) and sound related to concepts of memory and experience. The audio souvenirs, perceived ambiances and the received sonic life of the city delivers its unconscious impressions / expressions and simultaneously transmits those via remote telephonic narratives and resounding cut ups echoing across different cityscapes (London, Marseille, Nantes, Amiens…etc).

APO33 — as an interdisciplinary laboratory drawing on the artistic and technological fields — fosters various collective projects associating research, experimentation and social intervention. Continue reading

Feb 1, 2009
Comments (0)


Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings



May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan


Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.


NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions


"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies


Guest Bloggers:


Massachusetts Cultural Council
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Upgrade! Boston

Turbulence Works