Turbulence Commission: Shadow Play: Tales of Urbanization of China by Lily & Honglei [Download Second Life for desktop and Layar for mobile devices]

Over the past few decades China has been urbanizing at an astounding pace. In 2013, the People’s Republic unveiled its plan to relocate 260 million people from China’s countryside to one of 21 “mega regions” by 2020 (cbsnews.com). Such a significant shift will undoubtedly transform China’s national character, which has been predominantly agrarian for millennia. Shadow Play weaves three interfaces, Virtual Reality (VR), Augmented Reality (AR), and Physical Reality (PR), and combines the past and present — through time-honored imagery, paint, “shadow play,” and new media technologies — to immerse participants in the realities of contemporary China. Continue reading

Strata-caster by Joseph Farbrook :: August 25 – October 14, 2012 :: Watermans Seminar 6 (Virtual space, Game space as Artistic Medium) – Chaired by Jonathan Munro – with Joseph Farbrook, Corrado Morgana, Rui Filipe Antunes and Parag K Mital :: August 25; 5:00 – 7:00 pm :: Watermans, 40 High Street, Brentford, UK.

Strata-caster is an exploration of the topography of power, prestige, and position. The art installation exists in the virtual world of Second Life, a place populated by over 50,000 people at any given moment. Although virtual and infinite, it continues to mirror the physical world, complete with representations of prestige and exclusivity. Continue reading

[Eva and Franco Mattes aka 0100101110101101.ORG Reenactment of Valie Export and Peter Weibel’s Tapp und Tastkino, (2007)] From Plaintext Players to Avatar Actors: A Short Survey of Online Gaming Performance by Mathias Jansson:

Performance art emerged in the mid-1960s into the 1970s and was a way to push the boundaries between art and everyday life. Many artists saw performance as an opportunity to bring art directly to the audience without having to detour through the galleries, curators or agents. Performance therefore often occurs outside the institutions on streets, squares or other public places. It was defined as an antithesis to theatre and the ideal was to “create an ephemeral and authentic experience for performer and audience in an event that could not be repeated, captured or purchased.”(1) Famous performance artists from this time are Yoko Ono, Joseph Beuys, Vito Acconci, Chris Burden and Marina Abramović. Continue reading

Your Day/ My Night: Round 3: Pressure Valve/ Virtual Confinement :: March 7, 2012, 3:48 pm – March 8, 2012, 3:50 pm (SLT/PST) :: Second Life.

For the past six months, two teams of artists, Iranian (Negin Ete, Sasan Abri, Vana Nabipour) and American (Andrew Blanton, Patrick Lichty, Allie Pohl), and one Turkish translator (Zeren Goktan), under the facilitation of Morehshin Allahyahri and Eden Unluata have been creating an artistic conversation by creating texts for one another from which the other team responds through the creation of bodies of work.

This is the third round of our conversation, where the rules were to abandon the mediation of the translator and try to directly interact for the creation of a work. Continue reading

Decode/Recode: Celebrate 100 Years of Alan Turing: We invite you to collaborate in a globally networked interactive event to celebrate the centenary of the birth of Alan Turing, as part of the official opening of the University of Salford building at MediaCity on 23rd March 2012. As part of this significant event we will be connecting for 24 hours with 24 partners worldwide for a live digital media jam. Continue reading

Perceptive Dislocations by Tamiko Thiel and United| Dislokations| Kartell :: January 27, 2012; 4:00 pm CET (7:00 am PST) :: Meeting Point: Goethe-Institut Island, Second Life (Requires installation of Second Life software and setting up an avatar in the virtual world!). Continue reading

Senses Places – Mixed Reality Participatory Performance Environment @interACT :: October 15, 2011; 11:00 am [EST] :: LEA Simulator, Second Life.

Senses Places is a playful mixed reality performance environment for audience participation. An ongoing dance-technology collaboration generating whole body multimodal interfacings keen to a somatic cross-cultural dance approach. Senses Places stresses the awareness and integration of simultaneous sensory-perceptions, local-remote embodied connections, a place where participants and environments meet and engage kinesthetic/ synesthetically. Continue reading

Senses Places – Dance-Technology Workshop 3: organized by Pei-Jung Lee, Isabel Valverde, Todd Cochrane :: July 30, 2011; 1:00 – 5:00 pm :: Dance Studio, The Kenneth Myers Center, 74 Shortland Street, Auckland Central, New Zealand + in Second Life.

Senses Places is a dance-technology collaborative project creating a playful mixed reality performance environment for audience participation. The project stresses an integration of simultaneous local and remote connections, where participants and environments meet to generate a kinesthetic/ synesthetic engagement. Continue reading

MADE REAL by Scott Kildall & Nathaniel Stern from Furtherfield on Vimeo.