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090909 UpStage Festival [online + 9 Cities]

090909 UpStage Festival :: September 9; 2:00 pm – September 10; 10:00 am (New Zealand Time: check your local time here) :: online and in Wellington, Munich, Oslo, Graz, Nantes, Istanbul, Eindhoven, Surrey, Calgary and Pancevo.

The 090909 UpStage Festival proudly presents 13 live online performances (cyberformances) which have been devised by artists traversing 9 different time zones. Audiences can watch these performances online, or attend ‘real life’ (RL) access nodes – physical venues in ten locations around the world. The full schedule is online. Continue reading


Sep 1, 10:33
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Lifetracing: The Traces of a Networked Life

networked.jpgRead | Write Lifetracing: The Traces of a Networked Life by Anne Helmond — in Networked: a (networked_book) about (networked_art):

ABSTRACT: This chapter deals with the change of identity on the web as a result of the assemblage of social software platforms, engines and users. It can be stated that major platforms for presenting the self online have developed over time: the homepage, the blog, the social networking profile and the lifestream. They each have their own specific way for presenting the self online. The advent of the search engine has had a major impact on both the construction and the presentation of the online identity. Continue reading


Jul 31, 12:43
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Storage in Collaborative Networked Art

networked.jpgRead | Write Storage in Collaborative Networked Art by Jason Freeman — in Networked: a (networked_book) about (networked_art):

ABSTRACT: This chapter explores the role of storage in media art and, more specifically, its role in collaborative creativity within the field of networked music. Through a series of paired analyses of works that differentially emphasize transmission and storage or which employ different approaches to storage, the chapter discusses different opportunities, challenges, and issues related to storage in collaborative, networked art. Music by the Rova Saxophone Quartet and by Nick Collins frames a discussion of composition and improvisation; two works by The Hub initiate an analysis of the influence of technology on network design and on collaborative models of shared material and shared control; broadcast works by Max Neuhaus introduce the concept of active storage systems; the online sites WebDrum and Jamglue raise questions about network latency and the persistency of storage; and Bicycle Built for 2,000 and Graph Theory manipulate the level of awareness of storage mechanisms by various participants.


Jul 31, 12:42
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Reblogged “Dreaming of a peer to peer world” by V Sasi Kumar

Michel Bauwens, founder of the Peer to Peer Foundation, is one of those who believe in open spaces and creation without incentive. In this interview he talks about the Free Software and Wikipedia movements as pointers to a genuine change in the way we think, create and distribute goods. He believes that we have never before had such real-time possibilities for human cooperation and collective intelligence on a global scale.

The economic collapse of 2008 is leading many people to question the suitability of the capitalist economic system. At the same time, many people are unsure about the system that can replace capitalism. The most common solution is, of course, socialism. But there are those who wonder whether there could be alternatives, though no serious discussion seems to have taken place on this subject. Continue reading


Jul 26, 12:43
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Live Stage: Low Lives [us Brooklyn, Miami, Houston]

UPDATE: VIDEOS FROM THE EVENT ARE AVAILABLE HERE :: Low Lives :: August 8, 2009; 6:00 – 9:00 pm (EST) :: FiveMyles (Brooklyn), Diaspora Vibe Gallery (Miami), and labotanica (Houston).

Low Lives is a one-night exhibition of live performance-based works transmitted via the internet and projected in real time at three venues in the U.S.: FiveMyles, Brooklyn; Diaspora Vibe Gallery, Miami; and labotanica, Houston in partnership with Project Row Houses. Low Lives examines works that explore the potential of performance practice presented live through online broadcasting networks. These networks, though seldom utilized for performance art, provide a new alternative and efficient medium for presenting and viewing performances. Continue reading


Jul 17, 11:04
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Make Art 2009 – What The Fork?! [fr Poitiers]

Make Art 2009 – What The Fork?! Distributed and Open Practices in FLOSS Art :: December 7-13, 2009 :: Poitiers, France :: Call for Projects — Deadline: July 22, 2009.

Make Art is an international festival dedicated to the integration of Free/ Libre/ Open Source Software (FLOSS) in digital art. It offers performances, presentations, workshops and an exhibition, focused on the encounter between digital art and free software. We’re currently seeking new, innovative FLOSS works and projects: music and audiovisual performances, presentations, software demos, and installations. Continue reading


Jul 15, 10:22
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Live Stage: Aaron Shaw on Mechanical Turk [us Cambridge]

HIT me baby one more time, Or: How I learned to stop worrying and love Amazon Mechanical Turk — Aaron Shaw :: July 7, 2009; 12:30 pm :: Berkman Center, Harvard University, 23 Everett Street, second floor, Cambridge, MA and webcast live. RSVP required.

What is Amazon Mechanical Turk? Why on earth would anybody do piece rate jobs over the Internet for a nickel a pop? Are the results of AMT work any good? Isn’t it true that distributed labor markets will bring about the end of civilization as we know it? How can I use Mechanical Turk to acquire friends, riches, and wisdom? Continue reading


Jul 1, 14:49
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Low Lives: Call for Artists

Low Lives: Call for Artists — Deadline: June 30, 2009.

Low Lives is a new exhibition of live performance-based works by artists from different parts of the world and projected in real time at FiveMyles in Brooklyn, NY; Diaspora Vibe Gallery in Miami, FL; and labotanica, Houston, TX. Low Lives is curated by Jorge Rojas.

Low Lives examines works that critically investigate, challenge, and extend the potential of performance practice presented live through online broadcasting networks. These networks, though seldom utilized for performance art, provide a new alternative and efficient medium for presenting and viewing performances. Continue reading


Jun 24, 12:03
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Live Stage: Subtle Technologies [ca Toronto]

war-mail-2.jpgSubtle Technologies Festival presents An Evening of Networked Performance curated by Willy Le Maitre :: June 12, 2009; 8:00 pm :: Innis Town Hall, 2 Sussex Ave., University of Toronto, Toronto.

In this World 2.0, the distant and out of time are those not on the network. Those not connected by the myriad of standards, protocols, interfaces and soft spots are from World 1.0. Seemingly, with more degrees removed from our mutual separation, we are unified by a network that, paradoxically, joins us and separates us. There is a quality of transparency to World 2.0 that make a users criticism difficult to recognize online. Continue reading


Jun 8, 10:46
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Live Stage: Tank Man Tango [online]

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calls + opps performance livestage exhibition installation networked mobile writings participatory locative media augmented/mixed reality event new media video interactive public net art conference virtual intervention distributed second life sound political technology narrative festival tactical lecture art + science conversation social networks social games history surveillance dance music workshop urban mapping collaboration live upgrade! reblog activist wearable immersive public/private data architecture platform body collective aesthetics environment systems city identity film visualization culture telematic wireless web 2.0 site-specific ecology place webcast open source tool software text research intermedia space community audio radio nature hybrid 3-D avatar e-literature audio/visual responsive presence pyschogeography interdisciplinary media object interview physical global/ization ubiquitous theory theater biotechnology relational play code archive bioart generative news DIY robotic light place-specific hacktivism synthetic p2p cinema remix education agency interface language im/material live cinema algorithmic labor copyright simulation mashup animation perception image free/libre software multimedia artificial motion tracking voice convergence streaming reenactment gift economy machinima emergence webcam cyberreality glitch DJ/VJ tv censorship ARG nonlinear tag transdisciplinary touch recycle asynchronous fabbing semantic web hypermedia chance synesthesia biopolitics tangible app social choreography gesture unconference forking 1
1 3-D activist aesthetics agency algorithmic animation app architecture archive ARG art + science artificial asynchronous audio audio/visual augmented/mixed reality avatar bioart biopolitics biotechnology body calls + opps censorship chance cinema city code collaboration collective community conference convergence conversation copyright culture cyberreality dance data distributed DIY DJ/VJ e-literature ecology education emergence environment event exhibition fabbing festival film forking free/libre software games generative gesture gift economy glitch global/ization hacktivism history hybrid hypermedia identity im/material image immersive installation interactive interdisciplinary interface intermedia intervention interview labor language lecture light live live cinema livestage locative media machinima mapping mashup media mobile motion tracking multimedia music narrative nature net art networked new media news nonlinear object open source p2p participatory perception performance physical place place-specific platform play political presence public public/private pyschogeography radio reblog recycle reenactment relational remix research responsive robotic second life semantic web simulation site-specific social social choreography social networks software sound space streaming surveillance synesthesia synthetic systems tactical tag tangible technology telematic text theater theory tool touch transdisciplinary tv ubiquitous unconference upgrade! urban video virtual visualization voice wearable web 2.0 webcam webcast wireless workshop writings

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What is this?

Networked Performance (N_P) is a research blog that focuses on emerging network-enabled practice.
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Turbulence Works

These are some of the latest works commissioned by Turbulence.org's net art commission program.
[ openspace ] wilderness [meme.garden] A More Subtle Perplex A Temporary Memorial Project for Jobbers' Canyon Built with ConAgra Products A Travel Guide A.B.S.M.L. Ars Virtua Artist-in-Residence (AVAIR) (2007) Awkward_NYC besides, Bonding Energy Bronx Rhymes Cell Tagging Channel TWo: NY Condition:Used Constellation Over Playas Data Diaries Domain of Mount GreylockVideo Portal Eclipse Empire State Endgame: A Cold War Love Story Flight Lines From the Valley of the Deer FUJI spaces and other places Global Direct Google Variations Gothamberg Grafik Dynamo Grow Old Handheld Histories as Hyper-Monuments html_butoh I am unable to tell you I'm Not Stalking You; I'm Socializing iLib Shakespeare (the perturbed sonnet project) INTERP Invisible Influenced iPak - 10,000 songs, 10,000 images, 10,000 abuses iSkyTV Journal of Journal Performance Studies Killbox L-Carrier Les Belles Infidles look art Lumens My Beating Blog MYPOCKET No Time Machine Nothing Happens: a performance in three acts Nothing You Have Done Deserves Such Praise Oil Standard Panemoticon Peripheral n2: KEYBOARD Playing Duchamp Plazaville Psychographics: Consumer Survey Recollecting Adams School of Perpetual Training Searching for Michelle/SFM Self-Portrait Shadow Play: Tales of Urbanization of China ShiftSpace Commissions Program Social Relay Mail Space Video Spectral Quartet Superfund365, A Site-A-Day text_ocean The Xanadu Hijack This and that thought. Touching Gravity 2/Tilt Tumbarumba Tweet 4 Action Urban Attractors and Private Distractors We Ping Good Things To Life Wikireuse Without A Trace WoodEar Word Market You Don't Know Me
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