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Category: workshop

Sonic Acts Masterclasses [nl Amsterdam]

sonic_acts_masterclasses-300×211.jpgSonic Acts Masterclasses led by Catherine Christer Hennix, Peter Kubelka, Olaf Nicolai, Pauline Oliveros, Tino Sehgal :: February 20-23, 2012 :: Amsterdam :: Call for Participants — Deadline: February 12.

In collaboration with the Stedelijk Museum and STEIM, Sonic Acts will host a series of masterclasses as part of this year’s festival edition Travelling Time.

The masterclasses provide a unique opportunity for artists, musicians and other creative professionals to work with 5 internationally renowned artists whose work critically reflects on time and timing. In a concentrated and intimate setting, participants will gain insight into the artists‚ concepts, work processes, and methods of composition and production through hands-on workshops and seminars. Continue reading


Feb 8, 2012
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Call Extended: Networked Music Festival [uk Birmingham]

network.jpgNetwork Music Festival :: January 27-29, 2012 :: Birmingham, UK ::The deadline for submissions to the open call for the Network Music Festival has been extended to December 5, 2011. We are especially hoping to receive additional proposals for talks and workshops, but will also still be considering performances, installations, etc. For full details, please see: http://networkmusicfestival.org/open-call/ Continue reading


Nov 30, 2011
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Live Stage: Neuro Reality [de Berlin]

neuroreality.jpgWorkshop: Neuro Reality Check (Max-Planck-Institute for the History of Science, Berlin) Performance: GenComp Collective Berlin & Book Launch: Critical Neuroscience: A Handbook of the Social and Cultural Contexts of Neuroscience :: December 2, 2011, 10:00 pm :: N.K., Elsenstr. 52/2, Hinterhaus Etage 2, 12059 Berlin :: Open to the public (register for the workshop here).

GenComp Collective Berlin: Chaotic, cybernetic, and hybrid systems — Neurological and cybernetic research techniques have been adopted by many experimental music protagonists, such as Louis and Bebe Barron, Alvin Lucier, David Tudor and others. Continue reading


Nov 27, 2011
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Call: Network Music Festival [uk Birmingham]

network.jpgCall for proposals for performances, talks, installations, demos and workshops :: Network Music Festival, *Birmingham, UK :: January 27, 2012 to January 29, 2012 :: DEADLINE: 30th November 2011

The *Network Music Festival* will take place in January 2012 in Birmingham (UK) in the heart of Birmingham’s creative community. Presenting a diverse programme of laptop performances, live coding, communicating home-made musical gadgets, sound installations, workshops and everything else in between, the Network Musical Festival boasts an international line-up including some of Birmingham’s best home-grown hi-tech musical performers. We are looking for proposals for performances, talks, installations, demos and workshops. Continue reading


Nov 7, 2011
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Live Stage: Xth Sense Workshop [es Madrid]

marco.jpgCall for participation :: Matadac Festival :: December 12-15, 2011 :: at Caixaforum Madrid, ES :: Write for subscriptionprocedure to: info@madatac.es ::

The Xth Sense (XS) is a free and open source based technology; as such, its free distribution is an integral aspect of the research. In this workshop participants build their own XS biosensor and learn how to generate interactive music from the muscle sounds of their bodies.

Xth Sense: biophysical live media performance: Hands-on training in augmentation of the body for audiovisual performance. Creating your own low cost biosensing wearable device for muscle sounds. Continue reading


Nov 3, 2011
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Live Stage: Practical Sound Analysis [es Barcelona]

olaf.jpgPractical Sound Analysis :: with Fredrik Olofsson :: October 28-30, 2011, 18:00-22.00h :: Hangar. Passatge del Marquès de Santa Isabel, 40. Barcelona. Metro Poble Nou. :: Price: 90€ (or cheaper as part of the whole course) :: prior knowledge of basic sound synthesis is assumed ::

This seminar will give an overview of several sound analysis techniques and guide participants on how to apply them to control sound or music processes. We will experiment with techniques for pitch detection and envelope tracking and will also cover more advanced algorithms, such as event and chord identification. We will also look at the importance of filtering and mapping the resulting data prior to using it to drive various synthesis parameters in realtime. Continue reading


Oct 25, 2011
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Live Stage: EarZoom2011 / ICMC2012 [sl Ljubljana]

earzoom.jpgEarZoom2011 / ICMC2012 :: Friday, September 30 at 7:00pm – October 4 at 11:30pm :: Ljubljana – Slovenia ::

IRZU – Institute for Sonic Arts Research, is announcing the third edition of: EarZoom – Sonic Arts Festival, which will take place between 30th September and 4th October 2011 at different venues in Ljubljana, Slovenia.

The main aim of the festival is to present a set of carefully selected works of multi-profile individuals (artists/scientists) and thus promote the interdisciplinary field of electronic music – the myriad of possibilities it has to offer – to artists and scientists (engineers) within our local community. Continue reading


Sep 19, 2011
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Call for Piksel festival Extended

pixel.jpgThe deadline for this years proposals for the Piksel festival has been postponed to August 31, 2011 :: Piksel11, November 17-20, 2011 :: Bergen, Norway :: Online submit form: http://piksel.no/ocs

Piksel is an international event for artists and developers working with Free/Libre and Open Source technologies in artistic practice. Part workshop, part festival, it is organized in Bergen, Norway,and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies & art. Continue reading


Aug 16, 2011
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Live Stage: Pure Data Convention [de Berlin]

pure.jpgJoão Pais (& others) @ Pure Data Convention 2011 :: August 8 and 9, 2011:: Weimar ~ Berlin :: Understanding and being creative with Pure Data’s data structures ::

“The original idea in developing Pd was to make a real-time computer music performance environment like Max, but somehow to include also a facility for making computer music scores with user-specifiable graphical representations. … Pd is designed to offer an extremely unstructured environment for describing data structures and their graphical appearance. The underlying idea is to allow the user to display any kind of data he or she wants to, associating it in any way with the display.” Miller Puckette, Using Pd as a score language (2002)

Pure Data’s data structures are one of the few core features that distinguish Pd from Max/MSP. Yet, they’re also one of the few libraries which are used solely by a small group of users. The main reasons for this would be both the not yet very mature and complete collection of objects, as well as with the not very intuitive implementation in Pd’s language. In the end, this very powerful feature becomes (unnecessarily) too complicated to use. Continue reading


Aug 7, 2011
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Live Stage: Patterns + Pleasure [nl Frascati]

splash-page.jpgSTEIM organizes Patterns + Pleasure Festival:: September 26, 27 and 28, 2011, daily from 10:00 am to 0:00 pm. :: at Frascati, Nes 63 Amsterdam :: Day-ticket: € 30,- (symposium + festival), Festival Passe-partout: € 75,- ::

STEIM (Studio for electro-instrumental music) organizes the Patterns + Pleasure Festival a festival for adventurous contemporary electronic music, on 26, 27 and 28 September at Frascati Amsterdam. This three-day festival presents the latest and most adventurous contemporary electronic music from today. There will be lectures, workshops, debates and performances by musicians and sound artists from home and abroad. Starring Alex Nowitz, Tom Johnson, Jessica Rylan, Fuyuki Yamakawa, Steina Vasulka, David Toop, Moldover, Edison and many more. Continue reading


Aug 5, 2011
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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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