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Category: webcast

Live Stage: What’s Wrong with the World? [uk London + Rio + online]

showwww.jpgStation House OperaFrom Soho to Rio: What’s Wrong with the World? :: 19 April – 4 May 2008 :: Soho Theatre Bar, 21 Dean Street, London W1D 3NE + Oi Futuro, Rio de Janeiro :: Live streaming and archived footage here. Schedule and tickets here.

From Soho to Rio: What’s wrong with the world? is a unique event performed in real time across two continents.
Combining live performance in Soho’s theatre bar with real time video links from both locations, What’s wrong with the world? takes the distance between the two cities and uses it to create a third, surprisingly intimate location where performers in London mingle, merge and collide with their counterparts in Rio. Continue reading

Apr 8, 2008
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Live Stage: Extensible Electric Guitar Web Simulcast [us Worcester, MA]

logo.gifThe eXtensible Electric Guitar Festival is set to begin tonight, and runs April 4-5 at Clark University in Worcester, MA USA.

Since its development in the mid-twentieth century, the electric guitar has had a profound influence on many aspects of music, creating new sounds, spurring the development of new musical styles, and reshaping concepts of musicianship. In the early twenty first century, despite retaining its iconic status as a symbol of innovation and transgression, the electric guitar and its uses now seem commonplace, almost routine; in short, the instrument may be in danger of losing its edge. The Extensible Electric Guitar Festival aims to rediscover and showcase the electric guitar’s spirit of innovation and exploration. More information and the schedule of events. Continue reading

Apr 4, 2008
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Live Stage: Netrooms [us California + online]

netroomsdiagram.jpgNetrooms: The Long FeedbackPedro Rebelo, 2008 :: April 2 and 4, 2008; 8:30 PDT :: Join in and contribute to a nine-site network performance!

Netrooms: The Long Feedback is a participatory network piece which invites the public to contribute to an extended feedback loop and delay line across the internet. The work explores the juxtaposition of multiple spaces as the acoustic, the social and the personal environment becomes permanently networked. The performance consists of live manipulation of multiple real-time streams from different locations which receive a common sound source. Continue reading

Mar 28, 2008
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Net_Music_Weekly: Flounder

flounder1.jpgA few years ago, composer, musician and programmer Øyvind Brandtsegg built a sound installation into Nils Sigurd Aas’ Flounder, a public sculpture located at Straumen in Inderøy, Norway.

When Brandtsegg suggested the idea to Aas in 2003, Aas responded “I really would like to hear the Flounder sing”. Brandtsegg’s installation makes use of a loudspeaker technique in which the sound is transferred to the metal in the sculpture. The natural environment, and especially the tidal stream, inspired Brandtsegg to program several variables which different sensors record from their surroundings. Continue reading

Mar 27, 2008
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Live Stage: Experimental Intermedia [us NYC + online]

ei.jpgExperimental Intermedia’s MARCH 2008 PERFORMANCE SERIESThe Thirty-fourth Anniversary of EI performances at 224 Centre Street, the Thirty-ninth Anniversary of the Founding of Experimental Intermedia, the Thirty-ninth Anniversary of the 224 Centre Street loft, and, not least, The Eighteenth Annual Festival with no fancy name, Part Two (or B), Phill Niblock, Curator :: 224 Centre Street at Grand, Third Floor, N Y 10013 :: All of the EI March concerts are being streamed on free103point9 Online Radio at 9:00 pm. Continue reading

Mar 7, 2008
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Live Stage: Whitehead, Isjtar | Uyttendaele [be Brussels + online]

controller1.jpgWriting on Air by Gregory Whitehead (8:30 pm) :: Decomposing Spacetime by Non-linear Insertions of Waves of Sonic Tension by Isjtar and Jeroen Uyttendaele (10 pm) :: February 29, 2008; 8 pm :: OKNO (2nd floor), Koolmijnenkaai 30/34 Quai aux, Charbonnages, Brussels :: Both performances will be realtime web-streamed (details below).

Writing On Air will invite us on a journey through twisted tongues and prosthetic voices, fungal language, the global screamscape, a brief seminar of the proper facial expression for catastrophe, the song of a disembodied knee, radio philosophy and other essential audio ephemera. Continue reading

Feb 25, 2008
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Multiplace – Network Culture Festival [sk Slovak Republic]

event-pic-388-1bg.jpgMultiplace Network Culture Festival #7telematic networking, imaginary broadcasting, experimental mobility :: April 26 – May 3, 2008 :: CALL FOR ENTRIES – Deadline: February 29, 2008.

Multiplace 2008 invites artists and cultural workers to submit events / performances / installations / ideas of a networked character, such as online performances, streaming and radio projects, collaborative networked projects and workshops, or the works accessing the networks within a physical location, urban space or between remote venues. Use of digital technologies is not a crucial requirement.

Submitted projects will be proposed to participating venues and organisers. These will assist in providing the infrastructure (technical equipment, internet connection, material, staff, etc) for the project (if needed). Continue reading

Feb 19, 2008
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Live Stage: Multimodal Streamed Live [nl Rotterdam]

30400-500-375.jpgTest_Lab: Multimodal – Featuring Arjen Mulder (NL), Sissel Tolaas (N), Tom Froese (UK), Graham Smith (CDN), Ulf Langheinrich (A), and Sietske Klooster (NL) :: February 21, 2008, 8:00 pm :: V2_ Institute for the Unstable Media, Eendrachtsstraat 10, 3012XL, Rotterdam :: Streamed live [Requires Real Player].

Although technological innovation in art and media has greatly enhanced the ways in which artworks can stimulate our senses, this innovation predominantly concerns the same few sensory modalities, and only rarely aims at supporting the integration between them. Recent artistic Research and Development (aRt&D) has, however, made great progress in developing methods for multimodal art; enhancing the sensorial richness of art and media experiences in integrated ways. Continue reading

Feb 18, 2008
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Live Stage: Stream on You [be Brussels + online]

stream.jpgStream on You – Stream de ToiStreaming and the Practices of Collaborative Network Performance :: February 15-17, 2008 :: iMAL, Center for Digital Cultures and Technology, 30 Quai des Charbonnages / Koolmijnenkaii 30, 1080 Brussels.

Live and online performances February 16 (join us): 21:00 (CET), aether :: 22:30 (CET), Avatar Orchestra Metaverse :: February 17: 15:00 – 20:00, nocinema :: and all the week-end session of Le PlacardBxl. Continue reading

Feb 13, 2008
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Live Stage: Say The Music [online]

druplicon-watermark.pngThe Cathedral Band is returning to Seattle next week to play the Icebreaker IV Festival at On The Boards, and you are invited to participate through our global sound event, Say The Music.

Here is how: simply call a local phone number in your area; leave us a personalized sound, song, word or phrase; and DJ Tamara or I will mix your sound into the performance. You will even be able to hear it in a live webcast. Local phone numbers are available worldwide – from New York to Seattle, and Brisbane to Perth, plus London, Paris, Rome, Tokyo, and Rio. Continue reading

Jan 21, 2008
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Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings



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What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.


NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions


"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies


Guest Bloggers:


Massachusetts Cultural Council
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Upgrade! Boston

Turbulence Works