Networked_Music_Review
Scroll to prev post Scroll to next post

Category: voice

Live Stage: Pamela Z @ The Stone [us NYC]

pz-rotary.jpg[photo courtesy of Ars Electronica, Linz] Pamela Z solo concert :: March 30, 2010; 8:00 pm :: The Stone, Avenue C and 2nd Street, New York City .

Pamela Z performs a concert of short solo works for voice and electronics as part of the “Word + Music” series curated by Larry Ochs. The concert will consist of a selection of works involving language, including some excerpts from her work “Parts of Speech”, some new pieces, and a few tape pieces.

Pamela Z is a San Francisco-based composer/performer and audio artist who works primarily with voice, live electronic processing, and sampling technology. She creates solo works combining experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and MIDI controllers that allow her to manipulate sound with physical gestures. Continue reading


Mar 28, 2010
Comments (0)

Live Stage: No Images, A Performance in the Dark [ca Toronto]

n370543211462_5928.jpgNo Images, a performance in the dark :: April 6, 2010; 7:00 – 8:00 pm :: Innis Town Hall, 2 Sussex Avenue, Toronto, ON.

Developed by curators Pablo de Ocampo, Jacob Korczynski and Christof Migone, No Images features the work of Ryan Driver, Annie MacDonell, Alexis O’Hara & Mary Margaret O’Hara and Alex Snukal. Imagine a pitch-black space. Immersed in absolute darkness, you cannot see your own hand, you have no idea of the size of the space that you are in, and your sense of time is completely lost. One’s typical dependence upon an encounter anchored by eyesight is replaced by an amorphous and immersive environment. This presentation strategy is not only ideally suited for sound art, it is also a radical engagement of the senses by way of complete deprivation of the visual. Continue reading


Mar 15, 2010
Comments (0)

Live Stage: Archival Records [hk Hong Kong]

ebf3250-5d90-48e3-8471-1e4af4c76.jpgArchival Records @ Asia Art Archive, a sound installation by Cédric Maridet, Hong Kong :: exhibition from February 2, 2010 to May 5, 2010 :: Opening: February 11, 2010; 6.30 – 8:00 p.m :: Hollywood Centre 11th Floor, 233 Hollywood Road, Hong Kong.

Archival Records intends to articulate the Archive’s physical and material space through the medium of sound, and establish a new connection between the Archive’s ‘voices’. It focuses on the realm bridging textual readings (of printed material) and their vocal counterparts, through multilingual audio recordings of excerpts from the collection, supplemented by ambient sounds at the Archive. This sound installation not only aims at exploring the idea of the Archive, but also rediscovering the mechanics of sensory experiences and aural cognition through a composed technological mediation of experience. Continue reading


Feb 11, 2010
Comments (0)

Moan Along

[youtube]http://www.youtube.com/watch?v=MYKtwXaUxeU&feature=related[/youtube]A complaints choir rehearsed in Japan before its performance at the Mori Art Museum last month. The group’s litany of grievances focused on work more than those of choirs in other places.

As Ko Sasaki reports in The New York Times : Recently a group of about 100 Tokyo residents put their complaints into a pile and a composer, Okuchi Shunsuke, turned them into a song. About 80 of the complainers (accompanied by an accordion, a bass cello and a tambourine) then performed the composition at various sites around the city, becoming the latest example of what has become known as a complaints choir. Continue reading


Dec 28, 2009
Comments (0)

Live Stage: Tristan Perich + Lesley Flanigan [us NYC]

tris.jpgTristan Perich, Lesley Flanigan and the NOW Ensemble :: December 18, 2009; 8:00 – 11:00 p.m. :: Galapagos Art Space, 16 Main St., Brooklyn, NY.

New Amsterdam Records and the Archipelago Series present Tristan Perich and Lesley Flanigan as they wrap up their 22-show tour across the USA with a final performance this Friday at Galapagos. Perich and Flanigan will be joined by the fiery contemporary music group NOW Ensemble.

In his new half-hour duet, Dual Synthesis (for harpsichord and four-channel 1-bit electronics), Perich choreographs a lush intersection between antique keyboard instrument and primitive electronics. Continue reading


Dec 16, 2009
Comments (0)

Speaking Piano

A “speaking piano” reciting the Proclamation of the European Environmental Criminal Court at World Venice Forum 2009.


Oct 8, 2009
Comments (1)

Ocean Voices: Share your voice

ocean.jpgWhat is Ocean Voices? Sound artist Halsey Burgund and marine biologist Wallace J. Nichols joined forces to collect the voices of people around the world recounting their personal experiences with the ocean. Combined with music written by Halsey, these voices will soon become audio collages which listeners can create to suit their own preferences. Help them by sharing your voice and spreading the words of all participants around the globe.

The ocean surrounds us and sustains us. We can only preserve life in the ocean by working together as a global community. Ocean Voices brings together voices from around the world for everyone to hear. Open your mouth; open your ears; join the Ocean Revolution here. Record your voice. Become a part of Ocean Voices.


Sep 24, 2009
Comments (0)

Live Stage: Neanderthal Vocal Computer [de Berlin]

wkshop.jpgNeanderthal Vocal Computer workshop with Derek Holzer :: July 18, 2009; 2:00 pm ::pickledfeet, Linienstrasse 54, Berlin 10119, U2, Rosa-Luxemburg-Pl, U8, Rosenthaler Pl. :: Please email m [at] 1010.co.uk to reserve a place (strictly limited).

This workshop combines three of the basic building blocks of the longer Neanderthal Electronics workshop (TL072 op-amp comparator, 4093 gated oscillator & LM386 audio amplifier) to create a very crude, caveman-style analog computer for the processing of vocal input through a microphone. Continue reading


Jul 13, 2009
Comments (0)

Structure, Process and Perception of a River

residency.jpgBinauralmedia and Nodar Artist Residency Center announce: Paivascapes #1 Structure, Process and Perception of a River :: February – October 2010 :: International Open Call for Art Projects — Deadline: September 30, 2009.

The Nodar Artist Residency Program for 2010 will have a single aggregating subject: the Paiva River. Throughout the year, from winter to autumn, several multidisciplinary art projects (having sound as a central element) will be developed in a context-specific perspective, interacting with the river’s different geographical areas, from its spring to its mouth. A tribute to a small river that is a symbol of a region that (still) can live in a well-balanced interaction with nature. Continue reading


Jun 22, 2009
Comments (0)

Live Stage: Pamela Z and Elliott Sharp [us NYC]

safe_image2.jpgPamela Z and Elliott Sharp :: May 14, 2009; 8:30 pm :: Roulette, 20 Greene Street, New York City.

Pamela Z will perform works for voice, electronics, and interactive video (including a small segment from her work-in-progress Baggage Allowance). Z processes her voice in real time and manipulates sampled sounds and projected video using Max MSP and Isadora software on a Mac Book Pro with gesture-activated MIDI controllers. Continue reading


May 13, 2009
Comments (0)

Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:

Tags


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings

Archives

2017

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

Feed2Mobile
Massachusetts Cultural Council
networked_performance
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Turbulence
Upgrade! Boston

Turbulence Works