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Category: telematic

“Pings” Archive Available

ping.jpgPINGS springs directly from the geographical distance between two collaborators. Working from their locales Simon Whitehead & Barnaby Oliver explore the physical space between them through rivers and air and a range of other terrains with their own qualities, such as the web, phone, post, and less tangible links of memory and synchronicity. An ongoing project archive is now available on the website. You can subscribe to PINGS as a podcast / RSS 2 feed from the website. And view the exchanges between the two as webpages.


Apr 8, 2008
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Live Stage: What’s Wrong with the World? [uk London + Rio + online]

showwww.jpgStation House OperaFrom Soho to Rio: What’s Wrong with the World? :: 19 April – 4 May 2008 :: Soho Theatre Bar, 21 Dean Street, London W1D 3NE + Oi Futuro, Rio de Janeiro :: Live streaming and archived footage here. Schedule and tickets here.

From Soho to Rio: What’s wrong with the world? is a unique event performed in real time across two continents.
Combining live performance in Soho’s theatre bar with real time video links from both locations, What’s wrong with the world? takes the distance between the two cities and uses it to create a third, surprisingly intimate location where performers in London mingle, merge and collide with their counterparts in Rio. Continue reading


Apr 8, 2008
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Multiplace – Network Culture Festival [sk Slovak Republic]

event-pic-388-1bg.jpgMultiplace Network Culture Festival #7telematic networking, imaginary broadcasting, experimental mobility :: April 26 – May 3, 2008 :: CALL FOR ENTRIES – Deadline: February 29, 2008.

Multiplace 2008 invites artists and cultural workers to submit events / performances / installations / ideas of a networked character, such as online performances, streaming and radio projects, collaborative networked projects and workshops, or the works accessing the networks within a physical location, urban space or between remote venues. Use of digital technologies is not a crucial requirement.

Submitted projects will be proposed to participating venues and organisers. These will assist in providing the infrastructure (technical equipment, internet connection, material, staff, etc) for the project (if needed). Continue reading


Feb 19, 2008
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The Telematic Circle

telematic circleFrom the website: “The Telematic Circle is an interest group that uses and develops applications for telepresent music performances. The group supports the creation of new art that specifically addresses broadband transmission systems as a new medium.

The interest of the Telematic Circle goes beyond the requirements of mono-located music performances, for example musical solutions that address the unavoidable latency between two co-located sites. Continue reading


Feb 16, 2008
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Live Stage: The Temple of Noise [us Boston]

103.jpgMobius presents The Temple of Noise on February 22, 2008; 8:00 pm :: 725 Harrison Avenue, Boston, MA.

The Temple of Noise channels units of energy through electric pathways across webtime and into physical spaces.

UFF NO ES TV: Live from Colombia, Bogota via the web – sintesis audiovisuales de la red a cargo de Adrián Juarez (arg) y Leo Gonzalez (col) :: DATAomaMAlcolm (0) – Live VJ transmission from California Vela (0)- Live sound Boston :: TEA: (of United States of Belt) – Seth Barger – percussion, found sound (of United States of Belt); Ross Goldstein – guitar, found sound (of United States of Belt); David Scott – sitar, tabla Continue reading


Feb 15, 2008
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NMR Commission: “BliK” by Roberto Osorio-Goenaga

blik_300.jpgBliK an interactive installation and networked musical composition method based on collaborative “Web 2.0” principles. The composer / participant types directives / keywords – referencing one of the LEMUR ModBots – into a blog post to create a musical score. The LEMUR ModBots are a set of single-function percussive bots that work as a percussion ensemble. They reside at LEMURplex in Brooklyn, New York. Some are scrapers, some are shakers, some strike different surfaces. They each have their own name, for instance, “bucket” and “shake.” By typing “bucket shake shake shake,” into a blog post, the user causes both bots to improvise algorithmically, with the shake being 3 times more present in the section than the bucket. The user controls the tempo by typing keywords such as ‘fast’, ‘slow’, and ‘medium’. Continue reading


Dec 12, 2007
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LEMUR ReSiDeNt: Call for Submissions

lemurbots.jpgLEMUR announces ReSiDeNt, a major new residency and performance/installation series :: Open Call for Submissions: Deadline: December 17, 2007. Artists from all performing and installation disciplines are encouraged to apply, including musicians, composers, dancers, choreographers, video artists, interactive installation artists, performance artists, multimedia artists and others.

In January 2008, LEMUR will inaugurate ReSiDeNt, a unique new creator-in-residence program, hosted at LEMUR’s Brooklyn space in Park Slope. Each month, we will award three artists a month-long residency at LEMUR, enabling them to create a work utilizing LEMUR’s resources, including robotic musical instruments, MIDI audio/video controllers, video projection and tracking system and more. Each group of residencies will culminate in a public show at LEMUR at the end of the month. Continue reading


Nov 27, 2007
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Live Stage: stationary æmotion II [co online]

tremor4.jpgstationary æmotion by æther9 in the frame of Tremor_ 4: Live.doc :: Online :: November 9, 2007; 7:00 pm Columbia time (UTC/GMT -5) Performance duration: 15:00 min [Check your local time here]

The æther9 group presents stationary æmotion: 4 remote performers from 4 different locations united in a real-time broadcast. Remote performers: N3krozoft Group Brussels (BE), Paula Vélez (CO), N3krozoft HQ Geneva (CH) :: Live audio: Christiaan Cruz (California) :: Original screenplay: Nicola Unger & Audrey Samson Continue reading


Nov 9, 2007
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Live Stage: Brain Avatar [us NYC]

5m3sch_werk.jpgBrain Avatar – Concert & Resonance Experiment, Part 1 with Mario Diaz de Leon, Zeljko McMullen, Doron Sadja :: November 1, 2007; 9:00 pm :: Roulette, 20 Greene St. (between Canal and Grand) 2 blocks west of Broadway

Musicians in Hang Zhou, Bangkok, Durban, Brussels, New York, and Braunschweig will each begin a solo concert, transmitting the music real-time to each city. During the concerts, brain activities of each musician will be recorded by the Brain Avatar which, created by Martin Schoene, is the first analogue visualization of real-time brain activity. The brainwaves, in their direct form as sound are projected as resonance in water and light. Emerging shapes and processes allow for visualization of mental states and movement of thought. Continue reading


Oct 31, 2007
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Live Stage: stationary æmotion [nl online + Rotterdam]

aether9.jpgstationary æmotion by æther9 :: Online :: Or @ WORM, Achterhaven 148, Rotterdam :: Performance: 22:00 Central European Time (UTC+2 – Bravo Time Zone) Performance duration: 15:00 min [Check your local time here]

The æther9 group presents stationary æmotion: 4 remote performers from 4 different locations reunited in a real-time broadcast. This performance is part of an evening presenting several works focusing on the theme of streaming, brought to you by the Labouretum Lumbrici, tonight at WORM (Rotterdam, NL). The æther9 group is interested in exploring the performative aspect of the infosphere. They make use of existing ‘lo-fi’ communication tools to experiment with the integration of dramaturgical elements linked to the constraints of working with a delocalised group to develop an audiovisual performance. Continue reading


Oct 26, 2007
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Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

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What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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