[Conceptual mock-up of Se­cu­rity Gate 26.11 by Molly Reichert] ISEA Istanbul presents Tyrannies of Participation — Chair Per­son: Seeta Peña Gan­gad­ha­ran; Pre­sen­ters: Jon Lei­decker, Joshua Kit Clay­ton, John Kim, An­thony Tran, Vasily Tru­bet­skoy :: Sep­tem­ber 16, 2011; 9:00 am - 10:30 am :: Sa­banci Cen­ter Room 3, Sa­banci Cen­ter, Lev­ent.

The pur­pose is to ex­plore the con­struc­tion and val­u­a­tion of par­tic­i­pa­tory dis­courses, de­signs, or ex­pe­ri­ences and chal­lenge re­ceived wis­dom of par­tic­i­pa­tion’s power. When does the dis­course of par­tic­i­pa­tion mask power? Who has ac­tual ver­sus per­ceived au­thor­ity? How do bot­tom-up, col­lab­o­ra­tive-based, lev­eled so­cial, cul­tural, and po­lit­i­cal ex­per­i­ments cre­ate new in­equal­i­ties?

Work­ing across the arts, music, and pol­i­tics, this panel con­sid­ers the dy­nam­ics of power in me­di­ated par­tic­i­pa­tion. Continue reading

The End of Something — A collection of reflections on the Global Crisis :: July 31 - August 30, 2009 :: Volume, 114-116 Amersham Vale, Deptford Police Station, New Cross, London :: Images of Ebb Workshop :: August 1; 1:00 - 5:00 pm :: Deskspace medialab. To reserve a place, please RSVP with phone number to: a.hadzi(a)gold.ac.uk (limited space!).

Images of Ebb (with Adnan Hadzi (Deptford TV) + Rob Canning (GOTO10)) will introduce participants to Sousveillance and CCTV filmmaking where material and images from the Deptford.TV archive will be edited to submissions from Sounds of Ebb. Continue reading

In This Place of Safety is a new large-scale outdoor audiovisual installation by artist Larisa Blazic, looking into how safe do we feel and why. The installation can be heard each day and seen each night at Novas Contemporary Urban Centre from July 14 - 20, 2008.

In This Place Of Safety (ITPOS) uses a building as a projection screen to explore intersections between temporary video interventions, architecture and art. It combines images of empty playgrounds projected across NOVAS gallery building facade and sound of children’s voices on a playground. Continue reading

Sonic Fragments: Narrative and Mediation in Sound Art - A two-day festival and symposium :: March 28-29, 2008 :: Princeton University, Princeton, NJ :: Free and open to the public.

Please join us as we host an international group of scholars and practitioners who are gathering to explore the roles of narrative and mediation in art practices that engage sound as a material. The symposium will consist of three panel discussions as well as an exhibition of audio-works for portable music players made expressly for the geography, architecture, and social spaces of the Princeton University campus. Continue reading

A forerunner of Radar, acoustic mirrors or ‘listening ears’ were built on the south and northeast coasts of England (1916 - 1930s) to detect approaching enemy aircraft at a distance of 8 to 15 miles. With the development of faster aircraft the sound mirrors became less useful, as an aircraft would be within sight by the time it had been located; radar finally rendered the mirrors obsolete. [via]

Lise Autogena’s Sound Mirrors was inspired by the derelict acousic mirrors at Denge, England. It aims to create two new sound mirrors on the coasts of England and France to enable people on either side of the English Channel to speak to each other. Continue reading

Earlier this year I was briefly involved in the final stages of a project called “Mix House“, by architects Karen Van Lengen and Joel Sanders, and composer/sound artist Ben Rubin. My role was to compose a piece for the last minute of the video shown below. The concept behind the house, which currently exists only as a design and in this animation, is described below in the official text from the “Open House: Intelligent Living by Design” exhibit in 2007, a collaborative exhibit between the Vitra Design Museum in Weil am Rhein, Germany and the Art Center College of Design in Pasadena, California.

“‘Mix House’ expands the modernist notion of visual transparency afforded by the ubiquitous picture window to include aural transparency as well. Continue reading

Stephen Vitiello Audio Environments: Played back on a 5.1 surround sound system, Steven Vitiello Night Chatter is multi-channel work composed of an analog synth track that rumbles under natural sounds recorded in the James River State Park and Cypress Bridge Forest, both in Virginia. The piece plays with the abstraction of night voices of animals as the artist states: “When I’m out in the field at night recording, there is a feeling of chatter, insect and animal voices that are communicating outside of my translation skills.” Continue reading

Audiohyperspace is featuring as September’s audio link, Chaosradio.

Are tracking systems like for example GPS dangerous for our society? How will the development of biometry influence civil rights? Who is why interested in collecting data of patients within the health system? These and other questions, which reflect the relationship between computer technology and society are discussed by the monthly program Chaosradio. This broadcast has existed since 1995 and has become a real classic. It is one of Germany’s oldest radio programs on new technologies and communication. Continue reading

Jessica Feldman is a NYC-based sound/media artist who is currently putting together an audio installation that uses recordings of people whispering their secrets. “I am in the secret-collecting process right now and I’d love it if some of you could contribute. Your identity will not be recorded. The secret can be in any language you wish, but I prefer that it be whispered. The more disturbing the secret, the better!”

Please call 1.800.749.0632. You will be asked the channel number, which is 12260 and the channel password, which is 12345. Then, just follow instructions! It’s very easy. “If you have questions, concerns, want to know more about the project, etc, feel free to email me at feldman.jm[at]gmail.com. Thank you!” Continue reading

[From the site…] aka “AI to the People” :: Current Transmission: 8 June 2007 to 9 September 2007… Whitney Museum, New York….

By Amy Alexander, Wojciech Kosma, Vincent Rabaud with Nikhil Rasiwasia and Jesse Gilbert. Production Assistants: Marilia Maschion, Annina Rüst, Cristyn Magnus. The project that asks the question: If computer vision technology can be used to detect when you look like a terrorist, criminal, or other “undesirable” - why not when you look like a rock star? Continue reading