Networked_Music_Review
Scroll to prev post Scroll to next post

Category: space

“Audio Tunnel” by Cobi van Tonder

audiotunnel.jpgAudio Tunnel by Cobi van Tonder :: part of Stanford MFA Art Practice Thesis Show, May 12 – June 15, 2009, Thomas Welton Stanford Art Gallery, Stanford University.

Conceptually, this work challenges ideas of territory, control, transmission, tranception and how we listen to the world. Ultimately it is about a very complex and delicate sonic texture. We access the constructed space via our auditory perception. Through listening we perceive a landscape that in turn triggers the imagination to construct a picture of what this space looks like. It becomes a partly imaginary space yet it is a shared space. It is live and interactive: the participant becomes the transmitter and is transmitted/ displaced (in sound) in many actual places in fractions of milliseconds. A recursive eavesdropping becomes possible in this unseen territory. Continue reading


Apr 30, 2009
Comments (0)

Live Stage: Rafael Toral [us Troy, NY]

toral.jpgRafael Toral: The Space Program :: May 8, 2009; 8:00 pm :: EMPAC, 110 8th Street, Troy, NY.

From Lisbon, musician Rafael Toral presents a collection of his Space Studies, a series of works exploring different combinations of gestural control and sonic palette. Each study is an interdependent spatial and aural exploration that together create an instrument of Toral’s own design. These instruments require visible performance techniques that in many cases are more akin to dance than to what we think of as part of a laptop or electronic music performance (clicking, knobbing, mousing, buttoning). Continue reading


Apr 30, 2009
Comments (0)

Interview: Natasha Barrett

Natasha BarrettNatasha Barrett is a freelance composer, performer, and installation artist. The composition and manipulation of space is a central element in much of her work, and it is the focus of this interview. Barrett completed her Master’s Degree at the University of Birmingham, where she studied with Jonty Harrison and became practiced in the art of live sound diffusion using Birmingham’s renowned BEAST (Birmingham Electroacoustic Sound Theatre) system. She completed a Doctoral degree in composition at City University in London in 1998, studying with Denis Smalley. Her body of work includes large architectural installations, electroacoustic concert pieces, works for instruments and performers, and live improvisation. Barrett’s works have won international acclaim and numerous awards, including the Nordic Council Music Prize in 2006, a first prize at the Bourges International Electroacoustic Music Competition (1998 and 2001), and most recently, a commission from the 2008 Giga-Hertz Award. Barrett was born in the UK, but currently lives in Oslo, Norway. She has released numerous CDs, available through her website. Continue reading


Apr 19, 2009
Comments (0)

Sound Art at Bass Museum [us Miami Beach, FL]

hutchinson-giant-m-box.jpg[Image: Giant Music Box with Pins by Brenda Hutchinson – Photo: Luis Olazabal] Time is running out to catch ST20’s unique sound art exhibition at the Bass Museum of Art, 2121 Park Avenue, Miami Beach. SOUND is a thoughtful exploration of the meaning of sound art through the inclusion of new and historically important pieces that reveal and clarify the nature of sound, its physicality, its ability to define and occupy space, its intrinsic value as a tool for understanding and connecting with the world, and for helping us refine our sense of reality. SOUND runs now through March 29th, 2009.

Plan a visit and make sure to set aside enough time to absorb the range of possibilities contained in this show. In times like these, when we are bombarded with loud inaccuracies and distorted exaggerations, branding and rebranding, SOUND simply asks: How can we strengthen our aural sense within a visually dominant culture and what is gained by such a shift towards an aural perception of the world? Continue reading


Mar 25, 2009
Comments (0)

Live Stage: Frozen Music [uk London]

flyer_frontsans_content_0.jpgInnerStaad presents Frozen Music :: March 25, 2009; 8:30 – 10:00 pm :: Watermans, 40 Brentford High Street TW8 0DS :: March 26, 2009; 6:30 – 8:15 pm :: Iniva at Rivington Place, Hoxton EC2A 3BA

Frozen Music is an audiovisual performance project that sets out to re-enact the emotions brought about by travel and tell the story of a physical and symbolic journey towards a metropolis. This “initiatory voyage” is made up of a series of seven aural and visual tableaux improvised by a trio of strings, percussions and video, merging sound art, experimental film and procedural animation to produce a multi-sensory, immersive experience. Continue reading


Mar 20, 2009
Comments (0)

Net_Music_Weekly: Sensorium Re-Connected

ampbod.jpgSensorium Re-Connecteda generative composition for for 5 PCs and 2 voices by Andrew Garton :: January 11, 2009; 11:03 – 11.45 pm CET :: Kunstradio – Radiokunst :: Listen here.

From August 18 to September 6, 1997, Australia’s The Listening Room presented Sensorium Connect / Body Morph, a generative composition by Andrew Garton and comprised of sounds sampled from performances by Stelarc. Sensorium Connect was the first Listening Room project entirely produced for online and was streamed for its entire six week duration.

On January 11, KunstRadio broadcasts an entirely new version of this work. Sensorium Re-Connected commemorates the work of The Listening Room and the contribution this piece made to furthering radio and sound art online in Australia. Continue reading


Jan 7, 2009
Comments (0)

A Philosophonics of Space: Sound, Futurity and the End of the World

sound-transmission.jpg“… In contemporary discussions of the body in space, of information highways and virtual realities, radiant sound establishes a `ground’ in the discourse of the future – be it utopian or dystopian – built from sound’s long history of transmission (telephony, radiophony) and `spirit’ (electrified by composers such as Cage, Varese and Stockhausen). This ‘ground’ has also been adopted to some extent by the contemporary philosophers Derrida, Baudrillard and Lyotard, who use aural, spatial and incinderal metaphors to raise questions about being, technology, and the future. Thus radiant sound becomes a figure in different but related cultural fields: as a trope for many of the great modernist reconciliations, its history in organicism, romanticsm and individualism, provides a model for the individual dispersed across the electronic field. Continue reading


Dec 1, 2008
Comments (0)

Cheryl L’Hirondelle Sings the Landscape [ca Vancouver]

songlines.jpgCheryl L’Hirondelle nikamon ohci askiy (songs because of the land) :: until February 2009 :: Vancouver, B.C.

This project explores the relationship between sound, space and identity as experienced through a cree worldview. By creating a “performative audio map”, L’Hirondelle will negotiate a journey through new territory, developing a nomadic relationship with the land. Her actions/singing will be in direct response to her encounters within the territory – the physical environment she finds herself in and its inhabitants.

During the month of December, the artist will make daily journeys throughout Vancouver and “sing” the landscape she encounters. These encounters will be captured by mobile phone by the artist and whatever other technologies are made available by participating viewers/audience (video, photo, audio). Continue reading


Nov 29, 2008
Comments (0)

Jorinde Voigt – Matrix & Lemniscate [de Kőln]

voigt1.jpgJorinde Voigt – Matrix [Notations] with Patric Catani & Chris Imler (Composition) and Lemniscate / ∞ [Acoustic Cluster] ::until December 20, 2008 :: Galerie Christian Lethert, Antwerpener Strasse 4, 50672 Kőln, Germany.

Matrix & Lemniscate is a unique collaboration between the artist Jorinde Voigt, and composers Patric Catani and Chris Imler. The lemniscate is, fundamentally a mechanism for the infinite (∞). A lemniscus or ‘ribbon’ that chases itself in a figure of eight describes the repeated and unending journey of the unbounded. Early Indian thinkers were quick to assert the abstract powers of infinities by recognising that when adding or removing parts to infinity, infinity would always remain. Jorinde Voigt draws structures energised by real and imagined possibilities to investigate finite boundaries of systems. Continue reading


Nov 18, 2008
Comments (0)

“Corpus” by Art of Failure

corpus.jpgCorpus, by Art of Failure (Nicolas Maigret and Nicolas Montgermont), uses the potential which has any object to be set in vibration, and to produce its own tone. Every presentation is based on a specific place and context, and aims to express an usually imperceptible potential of the various present elements (furniture, walls, objects). These various elements are set in vibration by low frequencies via an computer program which analyzes the resonances of the site. Every element then produces its own sound signature. The architectural space is discovered in the form of a complex volume but also through the resonant specificities of its various components.

This installation is based on a program which analyzes, in a given place, the frequencies that makes the objects and elements it contains entering in vibration. This first phase is realized by the broadcasting in the place of a test sound signal that is simultaneously recorded and analyzed. Continue reading


Oct 14, 2008
Comments (0)

Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:

Tags


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings

Archives

2017

Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

Feed2Mobile
Massachusetts Cultural Council
networked_performance
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Turbulence
Upgrade! Boston

Turbulence Works