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Category: remix

Live Stage: Norwegian Ambient Sound Artists [us NYC]

harvestworks.jpgThree Norwegian ambient sound artists :: August 11, 2008, 6:30 p.m. :: Harvestworks :: 596 Broadway, #602, New York, NY.

Please join us on Monday night for a rare performance / presentation by one of Norway’s leading electronic artist and remixer, Knut Sævik, who worked for Nils Petter Molvær, Bugge Wesseltoft, Eivind Aarset a.m.m He is founder and member of Mongolian Jetset, one of Norway`s outstanding Electro Acts, touring all over the world; Continue reading


Aug 7, 2008
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Live Stage: Cory Arcangel [us Brooklyn]

arcangel.jpgCory Arcangel’s Bruce Springsteen Born to Run Glockenspiel Addendum :: August 5, 2008; 8:00 pm :: Light Industry, 55 33rd Street, 3rd Floor, Brooklyn, New York :: Tickets – $6, available at door.

Artist Cory Arcangel appears at Light Industry to perform the first complete and authoritative version of his now-notorious Bruce Springsteen Born to Run Glockenspiel Addendum. This appearance marks the first time “and perhaps last” that Arcangel will provide live accompaniment on glockenspiel to Springsteen’s canonical album in its entirety, alongside the premiere of a new video featuring Springsteen and the E Street Band.

“In 2006, on a whim, I decided to go uptown to Sam Ash music store, buy a Glockenspiel and record glockenspiel parts for the songs on Bruce Springsteen’s Born to Run record that did not already feature that instrument. Most everything I have ever made has been ignited from a similar semi-destructive whim. Continue reading


Jul 8, 2008
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“WITCHin flux” by Mark Cooley

witch.jpgWITCHin flux — by Mark Cooley — is an experimental remix of Yoko Ono’s 2007 release Yes, I’m a Witch and an attempt to apply classic Fluxus concerns to the context of an entirely hip yet somewhat conservatively staged reinterpretive retrospective of Yoko Ono’s musical works. Moving away from typical remix theory that re-authorizes the internal content of a piece the goal here is to deconstruct the structural constraints of the album / cd form itself and to recast some of the constants of that essentially analog form to the concepts of variability and random access apparent in Fluxus works and common to digital culture.

Once launched, WITCHin flux plays continuously while randomly accessing and remixing samples from Yoko Ono’s Yes, I’m a Witch. Technical requirements – high-speed connection, flash player installed.


Apr 10, 2008
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Live Stage: Soundtoys Remixed [it Naples]

maologo.jpgMAO evenings :: Brian Mackern – Soundtoys Remixed [1996-2008] :: April 11, 2008; 6 – 8 pm :: Museo d’Arte Contemporanea Donnaregina, Via Settembrini, 79 Naples.

Soundtoys Remixed, the title of the performance that Mackern will offer to the MADRE audience, will deal with Net surfing and (real-time) remix of 40 of his soundtoys developed between 1997 and 2007. Mackernian visions will flow through the (real-time) projection on three different screens, while the surrounding sounds will hold the audience in a synesthetic embrace that will shake new reflections about the increasingly more hybrid nature of the reality we face everyday. Continue reading


Apr 3, 2008
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Call + Response [lu Luxembourg]

callandresponse.jpgCall + Response :: April 25-28, 2008 :: A Series of Events hosted by Candice Breitz :: Mudam Luxembourg, 3 Park Dräi Eechelen, L-1499 Luxembourg :: Please register online before April 10! Booking is essential due to limited seating.

Creative innovation has always relied, to some extent, on the logic of call-and-response, a phrase that Breitz borrows from musicologists, who use it to describe the interactive quality that is key to musical experience in various oral cultures. Mudam warmly invites you to share your ideas with a group of artists and thinkers as they explore the logic of call-and-response and reflect on strategies of artistic appropriation and creative recycling during a three-day line-up of performances, panels and discussions. Continue reading


Mar 27, 2008
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Net_Music_Weekly: Song of Solomon

sos_1.jpg[Image: Solomon Linda and the Evening Birds, ca. 1941] Song of Solomon — by Ralph Borland and Julian Jonker — is an aleatoric audio collage and 8-channel installation that samples many versions of Mbube, aka Wimoweh aka The Lion Sleeps Tonight, in a sonic tribute to the song’s dead author Solomon Linda. By fragmenting and reordering compositional fragments of this ‘song of songs’, the installation questions the assumptions about compositional innovation and imitation that inform Western intellectual property law. In this jungle of sounds, the dead Author rests.

Continue reading


Mar 18, 2008
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Sound Unbound: Sampling Digital Music and Culture

0262633639-f30.jpgSound Unbound: Sampling Digital Music and Culture – Edited by Paul D. Miller aka Dj Spooky that Subliminal Kid.

If Rhythm Science was about the flow of things, Sound Unbound is about the remix–how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. The topics are as diverse as the contributors: composer Steve Reich offers a memoir of his life with technology, from tape loops to video opera; Continue reading


Mar 17, 2008
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Art’s Birthday 2008 [at Vienna]

picture-2.pngINVITATION TO JOIN KUNSTRADIO’S CELEBRATION OF ART’S BIRTHDAY 2008! Celebrating Art’s Birthday is a tradition started by French Fluxus artist Robert Filliou who declared, on January 17th 1963, that Art had been born exactly 1,000,000 years ago when somebody dropped a dry sponge into a bucket of water.

Throughout the last decades artists have continued organising annual celebrations in the spirit of Filliou’s “Eternal Network” or “La Fête permanente”. In 2008 people all over the world will again be preparing numerous networked birthday parties for art, several of these under the motto “Forever Young”. Continue reading


Nov 12, 2007
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Live Stage: Re-Mixer [us Berkeley, CA]

ripmixburn_grancher_24h00.jpgRIP.MIX.BURN.BAM.PFA – Opening Reception and Performances: Re-Mixer :: October 26, 2007; 7:00 p.m. :: Bancroft Lobby, Berkeley Art Museum and Pacific Film Archive, 2625 Durant Avenue #2250m, Berkeley, CA.

Join us for a one-night live music mash-up and art performance. Featuring Berkeley remix artists and DJs Ripley and Kid Kameleon, this event celebrates the opening of RIP.MIX.BURN.BAM.PFA and presents live performance works that complete that exhibition. Also appearing will be the do-it-yourself DJ machine created by the Improbable Orchestra group and a live image mash-up by the artist Zebbler playing across the museum walls. This event is co-hosted by Creative Commons.


Oct 23, 2007
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Live Stage: Furthernoise Radio [uk Bristol]

bcfm.jpgFURTHERNOISE RADIO on BCFM 93.2 FM – Online Stream :: October 23, 22.00-23.00 BST (+1GMT) :: Repeated October 24, 9-10 am :: Go here for your own location time.

Tonight’s programme features Bristol noise duo Benzer, master of the drone Tuba Tom Heasley, Formication, Hassan Khan, Stephan Mathieu, Luca Formentini, Icelandic instrumental ensemble Amiina, the legendary Harry Parch and a new ‘My Life In The Bush Of Ghosts’ remix. As always we also have a live online visual mix from our regular VJ’s Grazmaster & Neil. To get the radio stream and the online visual mixing open 2 browser windows with the following URLs in each window. Subscribe to our podcasts of current and past programmes from the radio menu of the site.


Oct 23, 2007
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Robin Meier, Ali Momeni and the sound of insects

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What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
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