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Category: recording

Antarctic Data Jams

antm.jpgAntarctic Data Jams: In February 2007, Mediashed and The Junction invited you to come and play with live data sent from Antarctic by the I-TASC Groundhog team, and turn it into shapes for your ears and eyes. All the performances from both events were recorded and excerpts from them now appear for the first time on CD. Also included are tracks made from Antarctic data by artists who were on the ice or who submitted work for the performances.

Artists that took part in ADJ were: Thomas Mulcaire, Adam Hyde, 1st Born aka Ntsikelelo Ntshingila, Rebecca Mattos, Amanda Rodrigues Alves, Aymeric Mansoux, Harwood, Tony Shaper, Derek Shaw, Stuart Bowditch, Rob Gretton, David Valentine, Mike Lowther and Johnathon Gilmurray. Continue reading


Sep 17, 2008
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Tim Sweet on Electric Eclectics

9272007-ts6.jpg[Image: Edwin van der Heide’s Speed of Sound in the granary] “… Later that evening Seattle-based instrument inventor, Trimpin, performed his mechanized one-man band. He controlled two record players, a keyboard, and his wheelbarrow rhythm machine from sensors on a cello, and took us on a humorous music-making journey. As he “played” his cello, sensors tracked the movement of the bow and cued the turning of the records, sequences on the keyboard (a series of intricate automated “fingers”), and mechanized mallets made rhythms on found objects and drums that were mounted in a rusty wheelbarrow. The records’ self-reflective spoken word content (an instructional on the making of music and sound) punctuated the enigmatic story being told… Continue reading


Aug 27, 2008
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Are We there Yet? Seeking Stories [jp Yokohama, Tokyo]

dn.jpgDee Hibbert-Jones and Nomi Talisman will exhibit Are We there Yet? — a sound work, video installation and public work — at gallery Souzoukukan9001, ZAIM gallery and in public space in Yokohama Japan for Dislocate 08 the International Festival for Art, Technology and Locality, Yokohama/Tokyo. Are We there Yet? is a sound map of stories collected from passengers on Yokohama’s blue line, mapping travelers’ internal states in real space. Visitors can download MP3 sound files and travel the subway inhabiting riders’ stories at the exact physical location they took place. In the gallery exhibition the sound map is extended into an interactive video and sound installation, which layers public and private perceptions of the subway. Exploring space and place as what we hear as well as what we see. Continue reading


Aug 26, 2008
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RadioVillageNomade

radiovillage.jpgWe are curating an online sound project and are interested in your participation. This audio project, RadioVillageNomade, will take place, day by day, for 214 days over 7 months (May-Nov 2008) at La Corbiere in Switzerland. An audio play will be created using material contributed by invited artists and sound manipulators from all over the world. The “transmission” at this point is via our website, where a new mp3 is posted daily. The mp3s will be available for download with the intention that they be reused as raw material for new submissions. Selected pieces will be also be broadcast on European public radio. At the end of the 214 days we will weave all submissions into a 24 hour audio play.

The aim of this project is to cultivate works out of sounds which were designed without the intent to distinguish themselves from others, sounds that highlight the ever changing moments that make up our collective realities. Continue reading


Aug 11, 2008
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Hold: Vessel 1 and 2 @ Mostly Mozart Festival [us New York]

wallworth_hold12.jpgHold: Vessel 1 and 2 by Lynette Wallworth :: until August 17, 2008 :: Mostly Mozart Festival, The Lincoln Center for Performing Arts, New York, US :: Also in the exhibition: Ryoji Ikeda — data.tron; Gina Czarnecki — Contagion; Lynette Wallworth — Invisible by Night (solo exhibition); Lynette Wallworth — Evolution of Fearlessness; Ryoji Ikeda — V≠L (solo exhibition); Lynette Wallworth — Invisible by Night; Mike Stubbs — Cultural Quarter.

Hold: Vessel 1 and 2 (2001 & 2007) brings together two immersive installation works that explore the intimacy and immensity of the natural world and our relationship to it. The audience is invited to carry a glass bowl into a darkened space and ‘catch’ projected images of microscopic marine life and telescopic astronomical imagery in a lens–shaped ‘screen’. Hold uses moving image and technology to reveal the hidden intricacies of human immersion in the wide, complex world. Continue reading


Aug 7, 2008
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Hz #12

infrasound.jpg[Image: Artford and Yau “Infrasounds” from Sound Art and Public Auditory Awareness] Hz #12 presents:

Spectral Memories: the Aesthetics of the Phonographic Recording by Dugal McKinnon — Sonic artist / Composer Dugal McKinnon examines the aesthetics of the phonographic recording: “how is the record, as a technology with a well-documented history, also a signifying medium that has generated certain meanings, and modes of aesthetic production and reception?

Sound Art and Public Auditory Awareness by Ariel Bustamante — Ariel Bustamante explores the connection between Sound Art and public auditory sensibilities by reviewing works by Max Neuhaus, Sam Auinger and Bruce Odland, Christina Kubisch, and Scout Arford and Randy Yau.


Jul 14, 2008
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Live Stage: Cory Arcangel [us Brooklyn]

arcangel.jpgCory Arcangel’s Bruce Springsteen Born to Run Glockenspiel Addendum :: August 5, 2008; 8:00 pm :: Light Industry, 55 33rd Street, 3rd Floor, Brooklyn, New York :: Tickets – $6, available at door.

Artist Cory Arcangel appears at Light Industry to perform the first complete and authoritative version of his now-notorious Bruce Springsteen Born to Run Glockenspiel Addendum. This appearance marks the first time “and perhaps last” that Arcangel will provide live accompaniment on glockenspiel to Springsteen’s canonical album in its entirety, alongside the premiere of a new video featuring Springsteen and the E Street Band.

“In 2006, on a whim, I decided to go uptown to Sam Ash music store, buy a Glockenspiel and record glockenspiel parts for the songs on Bruce Springsteen’s Born to Run record that did not already feature that instrument. Most everything I have ever made has been ignited from a similar semi-destructive whim. Continue reading


Jul 8, 2008
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Net_Music_Weekly: Regurgitated Monologues

garrett-phelan-radio.jpg[Image: Garrett Phelan] Garrett Phelan works and lives in Dublin, Ireland. In recent years Phelan has focussed his practice on extensive explorations into the formation of opinion and the absolute present, particularly manifested through independent FM radio transmission projects, drawing, video, photography and web based projects in both gallery and non gallery environments.

At what point will common sense prevail, 26 sound works to be presented for a 5 year period, was commissioned by the Lewis Glucksman Gallery and curated by René Zechlin. It marks the second phase of a series of projects exploring the formation of opinion; it deals with how cognition occurs in conversation, discussion or debate. Continue reading


Apr 24, 2008
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Furthernoise.org, April 08 Issue

furthernoise.jpgWelcome to the April 08 Issue of Furthernoise.org (Roger Mills, Editor). Along with a host of new reviews, we bring you news of upcoming events and performances as well as an audio player stacked with all the best tracks of the issue.

David Tagg – Waist Deep Seas of Milk (review) New York musician, David Tagg, has seen The Future of Modern Guitar. And this sonic seer’s astral projections are sumptuously spread across the ambient expanses of Waist Deep Seas of Milk, though all trace of twang, pluck and strum is dissolved in FX haze and spun out in endless echo returns. Review by Alan Lockett. Continue reading


Apr 18, 2008
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Novi_sad on TouchRadio

novi_budapest.jpgDramazon is a new audio track by Novi_sad on TouchRadio. A droney journey in the jungle. Elegiac and mournful tones with subtlety and elegant roughness. Immersive birds in pain…

The whole piece is based on field recordings from: Mamori Lake, Amazonia, Brazil; Alphios Bridge, Ancient Olympia, Greece; Vibrations from the bridge which connects Denmark with Sweden; A bottling plant in operation and hydrophone recordings from Mamori Lake. Also used were sounds and notes from a church organ. Output signals have been manipulated and electronically treated. Continue reading


Apr 16, 2008
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Robin Meier, Ali Momeni and the sound of insects

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What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
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