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Category: livestage

Live Stage: Soundcorridors [us Brooklyn, NY]

event-2004-1.jpgSoundcorridors: Sound Engaging Architecture:: February 12, 2012; 5:00 pm :: Roulette, 509 Atlantic Ave., Brooklyn, NY.

Using a multichannel soundsystem throughout the entire space, a handful of sound artists activate the unique acoustics of Roulette’s new 1920’s Art Deco theater with multi-channel spacialized sound.

Featuring: Maria Chavez, Mario Diaz de Leon, Sabisha Friedberg, Alfredo Marin, Zeljko McMullen, Daniel Neumann, Tristan Shepherd, Doron Sadja, Ben Vida.

For more information here.


Feb 2, 2012
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Live Stage: Zimoun "Volume" [us NYC]

zimoun_2011_121_motors_cardboard_e_1.jpgZimoun “Volume” :: February 2 - March 10, 2012 :: Opening: February 2; 6:00 - 8:30 pm :: bitforms gallery nyc, 529 W. 20th Street, New York, New York City.

bitforms gallery is pleased to announce Volume, the first solo exhibition in New York by Swiss artist Zimoun. On view will be an immersive, site-specific sound installation based on prepared dcmotors and cardboard boxes.

Part of a series that received its U.S. debut in a solo exhibition at the Ringling Museum of Art this Fall, the installation emphasizes the grid as a method of visual organization. Precariously balanced rows of cardboard boxes form an architectural space containing a rumbling din produced by mechanical motors humming in unison. Continue reading


Jan 28, 2012
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Live Stage: Hence Where Labour [us Brooklyn]

douglas_barrett.jpgSound Series #17: Hence Where Labour - G Douglas Barrett :: January 27, 2012; 8:00 pm :: Presents Gallery, 64 Washington Ave., Brooklyn, NY. Continue reading


Jan 26, 2012
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Live Stage: Eric Laska [us Philadelphia]

tumblr_lxm449gdpk1qbkpuo-copy.jpgVigilance Improvisations by Eric Laska :: January 28, 2012; 8:00 pm :: Vox Populii Aux Performance Space, 319 N. 11th Street, Philadelphia PA.

This event will feature two pieces in the Vigilance Improvisations framework: “Mutability” performed by Bryan Eubanks and Eric Laska; and “Recursion” performed by Bonnie Jones and Reed Evan Rosenberg and presented by the Philadelphia Sound Forum.

Vigilance Improvisations is a series of structured frameworks for improvising electronic musicians. The archetypical design consists of two musicians, one working with computer and the other with non-computer electronics, improvising together while following unique visual scores. Continue reading


Jan 23, 2012
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Live Stage: RE:COMPOSITION [us Los Angeles + online]

john-cage.jpgFreewaves and Kaleidoscope of Pacific Standard Time announce the Los Angeles presentation of RE:COMPOSITION, a thematic program of four new performances dedicated to the liberating spirit of California-native John Cage’s centenary in 2012. :: January 27-28, 2012; 8:00 pm :: Southern California Institute of Architecture (SciArc), 960 E. 3rd Street + Parking Lot: 350 Merrick Street between Traction and 4th, Los Angeles, CA + live stream via http://dublab.com.

Conceived and produced by independent curator Julie Lazar, RE:COMPOSITION considers how current compositional practices are enabling artists in a variety of disciplines to re-conceive or reconstitute aspects of their art production. Continue reading


Jan 22, 2012
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Live Stage: Electronic Music Performance Class [us NYC]

nyu.jpg NYU Electronic Music Performance class :: December 17, 2011; 7:30 pm :: Harvestworks, 596 Broadway, Room 602 between Houston and Prince streets :: directed by Dafna Naphtali :: admission is free ::

Some great new faces and sounds — improvisations and open form scores — live electronics, feedback, live sound processing, sample processing, theremin, homemade electronics. “i-semble” (iPhone / iPad ensemble), plus piano, violin, guitar, voice and even amplified water jug.

Featuring: Tycho Horan, Aimee Norwich, Alejandro Zuleta, Ryan Doubiago, Andrew Lection, Brian Bourque, Carson Grub, Douglas Moss, Eric Bergen, Douglas Roj, Andrew Stein, Patrick Deeney, Paul Wittschen, Rebecca Dole, Sarah Streit and Yuval Ronen. Visuals contributed by Brendan Reilley. & with special guest Slavo Krekovic..


Dec 11, 2011
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Live Stage: Hans Tammen's Third Eye Orchestra [us NYC]

teo-kassel.jpgHans Tammen’s Third Eye Orchestra :: December 14, 2011; 9:00 pm :: Experimental Intermedia, 224 Centre Street, NYC.

Hans Tammen’s Third Eye Orchestra uses Earle Brown’s open form composition idea as a starting point to create a large multi-movement piece for a 15-piece ensemble +live sound processing, inspired by West African roots of Jazz, Miles Davis’ Bitches Brew, Steve Coleman, and Stravinsky’s layering or Steve Reich’s phase techniques. Continue reading


Dec 11, 2011
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Live Stage: Transmittance #2 [si online + Ljubljana]

transmit.jpgTransmittance #2 - Telepresence Performance :: December 13, 2011; 8:00 pm CET :: http://transmittance.si & Tobacco 001 Cultural Centre, Ljubljana (the online audience can watch and interact with the performance live using a recent version of popular browser like Firefox or Chrome. No other software is needed).

Transmittance explores collaboration which is local, global, networked and broadcast. It involves an artistic group of performers, visual artists, musicians and computer programmers to research performative possibilities of streaming, broadcasting and telepresence forging new types of performance and audience. With focus on critical and socially-aware artistic languages this work is based on asking questions about body, self and society - opening non-dualistic perspectives. Continue reading


Dec 10, 2011
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Live Stage: radioCona FM [si Ljubljana]

radio.jpgInternational radio art and sound art exhibition, radioCona FM 88.8MHz :: online stream on www.radiocona.si :: exhibition in ŠKUC Gallery Ljubljana :: broadcast start: December 7, 2011 @ 12.00 p.m. :: ŠKUC Gallery opening @ 8:00 p.m. :: December 7 - 16, 2011 from 12.00 p.m. - 19.00 p.m. :: produced by: CONA Institute, partners: Kiosk, Novi Radio Beograd, RAM Live :: Locations: FM 88.8 MHz, online stream http://www.radiocona.si/, ŠKUC Gallery Ljubljana :: Listening room: ŠKUC Gallery, Continue reading


Dec 6, 2011
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Live Stage: Paweł Janicki and EU_tracer [fr Paris]

After presentations in Wrocław, Lviv, and Minsk, two final showings this year of Paweł Janicki’s EU_tracer performance with internet and acoustic instruments will take place in Paris and Brussels. Continue reading


Dec 6, 2011
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3D ~ 8bit ~ acousmatic ~ acoustic ~ activist ~ aesthetics ~ Artificial Intelligence ~ algorithmic ~ ambient ~ animation ~ apps ~ architecture ~ archives ~ art + science ~ audio tour ~ augmented ~ auralization ~ audio/visual ~ avatar ~ bioart ~ biotechnology ~ body ~ broadcasts ~ business ~ calls + opps ~ cassette ~ chance ~ chiptune ~ circuit bending ~ city ~ code ~ collaboration ~ collective ~ community ~ composer ~ composition ~ concert ~ conductor ~ conference ~ controller ~ convergence ~ conversation ~ copyright ~ data ~ distributed ~ diy ~ e-literature ~ ecology ~ education ~ electroacoustic ~ electromagnetic ~ electronic ~ emergence ~ environment ~ event ~ exhibition ~ experimental ~ feedback ~ festival ~ field recording ~ p2p ~ film ~ found ~ free/libre software ~ game ~ generative ~ gesture ~ glitch ~ hacktivism ~ haptics ~ hardware ~ hybrid ~ identity ~ image ~ im/material ~ immersion ~ improvisation ~ instrument ~ interactive ~ interdisciplinary ~ interface ~ intermedia ~ intervention ~ interview ~ interviews/other ~ jazz ~ language ~ laptop ~ lecture ~ light ~ listening ~ cinema ~ livecoding ~ livestage ~ locative media ~ machines ~ mapping ~ mashup ~ media ~ microsound ~ mixed reality ~ mobile ~ motion tracking ~ multi-channel ~ multimedia ~ nature ~ net_music_weekly ~ net art ~ networked ~ audio ~ dance ~ installation ~ live ~ music ~ narrative ~ radio ~ sound ~ text ~ theater ~ video ~ new media ~ news ~ newsletter ~ nmr_commission ~ noise ~ notation ~ object ~ open source ~ opera ~ orchestra ~ perception ~ performance ~ platform ~ tool ~ play ~ phonography ~ physical ~ place ~ place-specific ~ podcast ~ political ~ presence ~ presentation ~ privacy ~ processing ~ public ~ pure data ~ pyschogeography ~ reblog ~ recording ~ recycle ~ relational ~ remix ~ research ~ residency ~ resource ~ responsive ~ reuse ~ robotic ~ sample ~ score ~ second life ~ sensor ~ simulation ~ site-specific ~ social ~ social network ~ software ~ sonification ~ sound sculpture ~ sound synthesis ~ sound walk ~ soundscape ~ soundtrack ~ space ~ spatialization ~ spoken word ~ streaming ~ surround sound ~ surveillance ~ symposium ~ synchronous ~ synesthesia ~ systems ~ tactical ~ tag ~ tangible ~ telematic ~ history ~ participatory ~ technology ~ asynchronous ~ wireless network ~ theory ~ tactile ~ toy ~ tv ~ ubiquitous ~ upgrade! ~ urban ~ virtual ~ visualization ~ VJ/DJ ~ voice ~ wearable ~ web 2.0 ~ webcast ~ wireless device ~ workshop ~ writings ~

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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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