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Category: lecture

Live Stage: Lesley Flanigan [ie Belfast]

lesley_flanigan.jpgLesley Flanigan: Talk and Seminar :: June 11, 2010; 6:30 – 8:30 pm:: Digital Arts Studios (DAS), 37-39 Queen Street, Belfast.

“Utilizing some of the most groundbreaking extended vocal techniques and original hardware instrument designs in the new generation of New York City’s improvisers, Lesley Flanigan’s work pushes through sheets of gorgeous shimmering sound into a sublime resonant feedback loop. With a background in sculpture, her work creates a kind of sonic terrain which encapsulates and envelopes the human voice (as well as the listener’s inner ear).”

Preceding her talk Lesley will be available for an afternoon seminar. Beginning at 2pm the seminar will form a peer-critique with participants presenting their work to the group. Spaces are limited to five and must be booked in advance from DAS. There is a charge of £10 (£5 concession) for each participant. Contact DAS for further information and bookings. In association with Bbeyond and Delawab


Jun 6, 2010
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Live Stage: Peter Ablinger Lecture [sl Ljubljana]

ablingsw.jpgInstitute for Sonic Arts Research (IRZU) presents Theory and Techniques of Contemporary Music, a lecture by Austrian composer Peter Ablinger :: May 17, 2010; 8:00 – 10:00 pm :: Gallery SKUC, Stari trg 21, Ljubljana, Slovenia.

Peter Ablinger was born in Schwanenstadt, Austria in 1959. He first studied graphic arts and became enthused by free jazz. He completed his studies in composition with Gösta Neuwirth and Roman Haubenstock-Ramati in Graz and Vienna. Since 1982 he has lived in Berlin, where he has initiated and conducted numerous festivals and concerts. In 1988 he founded the Ensemble Zwischentöne. In 1993 he was a visiting professor at the University of Music, Graz. He has been guest conductor of ‘Klangforum Wien’, ‘United Berlin’ and the ‘Insel Musik Ensemble’. Continue reading


May 14, 2010
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Live Stage: Endphase [de Berlin]

Endphase 17: Conceptual Electroacoustic Improvisation: Theory, Aesthetics and Performance tools — Lecture & Performance Discussion :: May 10, 2010; 2:00 – 5:00 pm (lecture) + 6:00 – 8:00 pm (private concert) :: HK at Elsenstr. 52/ 2.Hinterhaus Etage 212059 Berlin Neukölln.

[youtube]http://www.youtube.com/watch?v=ujKbmkAIIv0[/youtube]
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May 6, 2010
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Upgrade! Joburg: Remote Lectures Series

Upgrade! Joburg: Remote Lectures Series: Call for Proposals — Deadline: May 31, 2010.

Upgrade! Joburg will Skype anyone anywhere to give a one hour lecture, demonstration or performance to an audience in Johannesburg. Each session will be streamed live and recorded to our podcast album for anyone to download and watch at anytime after the event.

Why: Being literally at the bottom end of the African continent, the Johannesburg digital and new media art scene needs connection and inspiration to grow, develop and learn to have a little fun.

What you get: A great opportunity to access an African audience; and if you like we will organize a lecture from Joburg to you too. Continue reading


May 6, 2010
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Live Stage: Art.on.Wires [no Oslo]

art.jpgArt.on.Wires: A Laboratory for Live and Interactive Art & Technology :: May 10 – 13, 2010; 10:00 am – 11:00 pm :: Kanonhallen, Oslo, Norway.

Art.on.Wires is an open laboratory for live and interactive art where researchers, engineers and practitioners from various fields collaborate to explore and create a new generation of media technology for artistic performances and mixed-reality spaces.

We invite choreographers, dancers, singers, actors, musicians, composers, DJs, VJs, visual artists, programmers, set designers, light engineers, sound engineers and interested researchers to join our laboratory. The four-day event will feature workshops on artistic programming tools and interactive technologies, dorkbot talks and experimental performances. Art.on.Wires takes place in an old industry hall which will be equipped with interactive technologies to serve as a space for artistic and scientific experimentation. Continue reading


Apr 30, 2010
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Live Stage: dj sniff [us Brooklyn, NY]

Pratt Digital Art Lecture Series: dj sniff (Takuro Mizuta Lippit) + STEIM: Electronic Music Lab :: April 29, 2010; 12:30 – 2:00 pm :: Digital Arts Lecture Hall E2, ARC Building, Pratt Institute, 200 Willoughby Ave., Brooklyn, NY.

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Apr 22, 2010
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Cornelius Cardew Exhibition [pt Porto]

1271356164image_web.jpgCornelius Cardew and the freedom of listening :: May 8 – June 25, 2010 :: Culturgest Porto Edifício da Caixa Geral de Depósitos, Avenida dos Aliados, 104, 4000-065 Porto, Portugal.

Culturgest is pleased to announce Cornelius Cardew and the freedom of listening, an exhibition and program of events curated by Dean Inkster, Jean-Jacques Palix, Lore Gablier, and Pierre Bal-Blanc.

The English composer Cornelius Cardew (1936-1981) is undoubtedly one of the major composers to have emerged in the second half of the twentieth century. His radical approach to composition and his political reflection on the status of music making led him, in the late sixties, to instigate one of the most important attempts to establish the democratic claims of avant-garde culture. Continue reading


Apr 22, 2010
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Live Stage: European Media Art Festival [de Osnabrück]

mash.jpgEuropean Media Art Festival 2010 :: April 21-25, 2010 :: 49074 Osnabrück, Germany.

The motto of the EMAF 2010 is MASH UP! Productions by internationally renowned media artists and the innovative works of new masters from the academies will be presented at the 23nd European Media Art Festival. The EMAF is one of the most influential forums of international Media Art. As a meeting point for artists, curators, distributors, gallery owners and an audience of specialists, the festival has a great impact on the topic and aesthetics of Media Art. Each year the festival offers its visitors a current overview of new experimental films, performances, lectures, an exhibition and the Media Campus. Continue reading


Apr 19, 2010
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Live Stage: Theory + Techniques of Contemporary Music [sl Ljubljana]

scuk.jpgIRZU (Institute for Sonic Arts Research) announces the second event in the project Theory and techniques of Contemporary Music:: A lecture by Austrian composer Christoph Herndler :: April 19, 2010, 8:00 – 11:00 p.m. :: SKUC Gallery, Stari trg 21, Ljubljana, Slovenia.

Born in 1964 (Austria), studied the pipe organ, composition with Roman Haubenstock-Ramati, electro-accustic at the Vienna-University of Music and was visiting scholar at CCRMA/Stanford University. In 1997 he founded the ensemble EIS. Attributed to his work are graphical forms of notations which can be performed not only musically but also through other medias, as well as sound installations and video work. His compositions in general, should be regarded in light of their notation. Whereas the listener is only confronted with the sounds, the interpreter is confronted with the signs. Continue reading


Apr 18, 2010
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Live Stage: Theory & Techniques of Contemporary Music [sl Ljubljana]

irzu.jpgIRZU – Institute for Sonic Arts Research Theory and Techniques of Contemporary Music Lecture Series :: April 12, 2010; 8:00 – 11:00 p.m. :: Gallery SKUC, Stari trg 21, Ljubljana, Slovenia.

IRZU – the Institute for Sonic Arts Research is announcing the educational program: “Theory and Techniques of Contemporary Music”. A series of five lectures and four workshops, running throughout April, May and June. The series starts with a lecture by Austrian composer Elisabeth Harnik at the gallery SKUC.

The main idea behind the project, “Theory and Techniques of Contemporary Music“, is to create a platform for discussing different aspects of contemporary sound based practices, as well as complement the current education standard of the Slovenian national education system, representing the field of Contemporary music. Continue reading


Apr 7, 2010
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Interviews

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Robin Meier, Ali Momeni and the sound of insects

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What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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