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Category: electronic

Live Stage: Cybersounds [us Boston]

242.jpgCybersounds: Electronic Music Concerts :: September 28, October 26, November 30, 2011 and January 25, 2012 :: 6:30 – 8:30 p.m. :: outdoors along Fort Point Channel or inside Atlantic Wharf’s Waterfront Square, 290 Congress Street, Boston :: Free ::

Boston Cyberarts is partnering with Atlantic Wharf to present Cybersounds, a new series of free concerts bringing some of the leading artists exploring the creative and cultural potential in the convergence of music, sound and technology to Boston’s Waterfront. Held the last Wednesday of every month from 6:30-8:30 p.m., either outdoors along Fort Point Channel or inside Atlantic Wharf’s stunning Waterfront Square, the series is curated by Dan Hirsch, director of music programs for ArtsEmerson and Eric Chasalow, professor of music and director of the Brandeis Electro Acoustic Music Studio.
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Sep 16, 2011
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Live Stage: Patterns + Pleasure [nl Frascati]

splash-page.jpgSTEIM organizes Patterns + Pleasure Festival:: September 26, 27 and 28, 2011, daily from 10:00 am to 0:00 pm. :: at Frascati, Nes 63 Amsterdam :: Day-ticket: € 30,- (symposium + festival), Festival Passe-partout: € 75,- ::

STEIM (Studio for electro-instrumental music) organizes the Patterns + Pleasure Festival a festival for adventurous contemporary electronic music, on 26, 27 and 28 September at Frascati Amsterdam. This three-day festival presents the latest and most adventurous contemporary electronic music from today. There will be lectures, workshops, debates and performances by musicians and sound artists from home and abroad. Starring Alex Nowitz, Tom Johnson, Jessica Rylan, Fuyuki Yamakawa, Steina Vasulka, David Toop, Moldover, Edison and many more. Continue reading


Aug 5, 2011
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More on Eliane Radigue

elaine.jpgFollowing on yesterday’s post… Here is a 2009 Leonardo Music Journal (vol 29) article on Eliane Radigue, “The Mysterious Power of the Infinitesimal” . You can download the article here: http://www.leonardo.info/lmj/ :: Introduction by Joel Chadabe ::

In the 1960s, Eliane Radigue began to move away from her earlier work in musique concrète as Pierre Henry’s assistant, with its focus on the juxtaposition of self-contained “musical objects,” and towards an exploration of sound as an evolution with subtle transformations.

… In a concert, her music floated in the air, coming from everywhere as music without a source, just a natural part of our world, just there, and without effort.


Jun 11, 2011
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Live Stage: Triptych – The Music of Eliane Radigue [uk London]

eileen.jpgTriptych: The Music of Eliane Radigue :: June 12–26, 2011 :: Concerts at Christ Church Spitalfields and St Stephen’s Walbrook , London :: Sonic Bed Exhibitions at Rich Mix and Watermans, London

Sound and Music presents the first major UK retrospective of Eliane Radigue (born Paris, 1932), one of the major living figures in contemporary music.

Radigue studied with electronic music pioneers Pierre Henry and Pierre Schaeffer and has been likened to American minimalists Terry Riley, La Monte Young, Steve Reich and Philip Glass, but her meditative works, often monumental in duration, have taken a singular path, transporting the listener on a journey into the very heart of sound. Continue reading


Jun 9, 2011
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Live Stage: Harvestworks’ NY Electronic Arts Festival [us New York City]

harv.jpgHarvestworks’ New York Electronic Arts Festival:: with exhibitions, concerts and workshops from May 27, 2010 to Sep 25, 2010 :: in collaboration with The National Park Service, River to River Festival, Trinity Wall Street, Roulette and other partners, and sponsored by Tekserve, New York’s Largest Independent Apple Store and Service Facility. The festival is a summer series of concerts, workshops, and exhibitions centered on the cutting-edge work being done at the intersection of art and technology.

For the first time the Festival will take place outside of galleries and concert halls, and will explore the geography of the island through sound and related technology, re-imagining the architecture and history of the spaces. Some of Governors Island’s public spaces will be transformed into a series of sound landscapes where the public can appreciate a new dimension to the visual and auditory environment. Continue reading


May 18, 2011
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Call for Beam’s Festival, Open Space [uk London]

beam2.jpgBrunel Electronic and Analogue Music (BEAM) Festival is a high-tech weekender. The festival takes place June 24- 26, 2011 at Brunel University in Uxbridge, London and features a programme of international artists working in music, sound and technology.

BEAM is now looking for submissions to the festival OPEN SPACE; a platform for artists to exhibit or perform their own work at the festival.We are offering a free weekend pass and accommodation on site to 10 selected OPEN SPACE artists. The deadline for all calls is 14th May 2011

BEAM OPEN SPACE submissions should refer to the broad themes of music & technology, interactivity, electronic music, music produced through unusual interfaces (including sonic robots!) and homemade instruments. Continue reading


Apr 26, 2011
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Live Stage: Occulto Fest [de Berlin]

saltair.jpgOcculto Fest :: A two day festival. A series of sound performances. A video screening. A workshop :: March 12-13, 2011 :: Ausland, Lychener Straße 60, 10437 Berlin ::

At the end of the 1970s Sam Wagstaff put together an extensive collection of photos taken between 1870 and the 1930s, including Mumler’s ghost portraits, Kirlian’s experiments, Darget’s “thoughts photographic pictures” and other pioneering photographer’s works attempting to demonstrate the reality of certain supernatural phenomena. These pictures, beside the historical and ethnographic interest, are strongly suggestive abstract pieces, and Wagstaff explained that the he had collected them to satisfy his own desire to contemplate and explore the “pleasure to see, as when we see people dancing from a window.” Continue reading


Mar 2, 2011
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Cellular Automata in electronic music and sonic art

953323__727232828.jpgCellular automata in generative electronic music and sonic art: a historical and technical review :: Authors: Dave Burraston, Ernest Edmondsa ::

This paper will review electronic music and sonic art applications of Cellular automata (CA) in a historical and technical context. Algorithmic and computational processes have been of interest to artists for many years, creating an emerging culture of generative electronic art. Creating patterns and sequences is necessary for the creative artist working spatially and temporally within a chosen medium. CA are capable of a wide variety of emergent behaviours and represent an important generative tool for the artist.

The sonic artist and musician must be prepared to investigate the theoretical background of CA in order to successfully employ their vast behaviour space within compositional strategy. Continue reading


Feb 12, 2011
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Live Stage: Converging Objects Workshop [uk London]

co_edinburgh.jpgConverging Objects :: A set of workshops for musicians who improvise and use live electronics :: With Robert van Heumen & Anne La Berge :: On February 11 and 12, 2011, from 10:00 a.m. to 5:00 p.m. :: at 113 Dalston Lane, London. E8 1NH :: Cost: 120

Converging Objects is a hands-on workshop aimed at acoustic musicians who improvise and use live electronics, those who play with other musicians using electronics, or musicians and programmers who improvise and work with acoustic players.

Participants will explore ways to use technology as an intimate and/or integrated partner for acoustic instruments, designing hybrid or purely electronic instruments and ways in which to engage and integrate performers bodies as real-time creative forces. Continue reading


Jan 17, 2011
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Live Stage: Neanderthal Electronics with Derek Holtzer [de Berlin]

Neanderthal Electronics :: 5 day workshop with Derek Holtzer :: Wednesday, February 23, 2011 – Sunday February 27, 2011, 12:00-19:00 daily :: at NK, Elsenstr. 52/ 2.Hinterhaus Etage 2 12059 Berlin :: performance at Experimontag @ Madame Claude on Monday, February 28, 2011 :: limited to 12 participants :: Fee: EUR 120 including materials, with a deposit of EUR 27 to be paid beforehand ::

Neanderthal Electronics workshop, Tartu Estonia from macumbista on Vimeo.

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Jan 15, 2011
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Interviews

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Robin Meier, Ali Momeni and the sound of insects

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What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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