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Live Stage: The Global Composition: Conference on Sound, Media and the Environment [de Darmstadt]

global.jpgThe Global Composition: Conference on Sound, Media and the Environment :: July 25-28, 2012 :: Hochschule Darmstadt / Media Campus Dieburg ::

Sound is ubiquitous and permanent, and embraces us as an envelope. Therefore, the experience of the auditory can be considered an environmental experience par excellence. The term and concept of soundscape reflects this idea. It implies, that sounds do not exist in isolation, and have to be understood as being embedded in and interacting with other sounds and perceptions coining the perceptional abilities of individuals and societies and their social relations: soundscape is a system in which all elements are interdependent. Continue reading


Jul 4, 2012
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Live Stage: Live Interfaces: Performance, Art, Music [uk Leeds]

li-logo1.jpgLive Interfaces: Performance, Art, Music :: September 7-8, 2012 :: ICSRiM, School of Music, University of Leeds, UK :: On-line submissions now open :: Live Coding workshop with Thor Magnusson :: Special Issue of Leonardo Electronic Almanac (LEA) :: Related conferences – TaPRA and ICMC ::

1. Online Submissions now open: If you would like to present a paper or performance during the conference, please submit a proposal in abstract form at: http://lipam.lurk.org/ Please use the provided template, and note the requirements detailed on the website.The deadline for both papers and performance proposals is 17th June, 2012. Continue reading


Jun 10, 2012
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Live Stage: Supersonix conference [uk London]

super.jpgSupersonix conference :: Celebrate the art and science of sound at Exhibition Road, London’s cultural heartland :: Wednesday, June 20, 2012 through Saturday, June 23, 2012 :: at Exhibition Road, London SW7, United Kingdom :: info@exhibitionroad.com ::

Confirmed artists and speakers : Sarah Angliss, Sam Auinger, Barry Blesser and Linda-Ruth Salter, Mira Calix, Jacob Kirkegaard, Aleksander Kolkowski, Bernhard Leitner, Kaffe Matthews, David McAlpine, Louis Niebur Andreas Oldörp, Aura Satz, Sophie Scott, Carsten Seiffarth, Jason Singh, Jonathan Sterne, Salomé Voegelin and CRiSAP panel, Sha Xin Wei, Jana Winderen, The Wire Panel including David Toop. Continue reading


May 28, 2012
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Call for Papers: Trans-X Symposium

transmission.jpgTrans-X Symposium: A Symposium About Transmission Art :: May 25-27, 2012 :: Call for Papers — Deadline March 16.

Rooted in the earliest experiments with radio, Transmission Art has continued to flourish with experiments with wireless communications technology over the past 100 years. The 21st Century is not excluded from this experimentation as artists have ventured into exploring a variety of mobile-based platforms and more lesser known forms of transmission such as VLF. The terrain of transmission art is dynamic and fluid, always open to redefinition. Continue reading


Mar 6, 2012
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The Global Composition: Deadline Extended

global_composition.jpgThe Global Composition: Conference on Sound, Media and the Environment :: July 25-28, 2012 :: Darmstadt/ Media Campus Dieburg (Hochschule Darmstadt), Frankfurt, Germany :: Call for Submissions — Deadline extended to March 30, 2012.

The sonic environment is an indicator for the quality of life: One crucial aspect, however, remains open and leads to a multitude of questions: Is this, what our hearing is exposed to, satisfying and enhancing our individual, social, functional, biological, economical, aesthetic and existential needs and endeavors? If not, which concepts exist to “orchestrate” everyday life’s cacophony? Which methods exist to successfully evaluate the quality of soundscapes? Continue reading


Mar 2, 2012
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The Global Composition: Conference on Sound, Media and the Environment [de Frankfurt]

global_composition.jpgThe Global Composition: Conference on Sound, Media and the Environment :: July 25-28, 2012 :: Darmstadt/Media Campus Dieburg (Hochschule Darmstadt), Frankfurt, Germany :: Call for Submissions — Deadline: March 12, 2012.

The sonic environment is an indicator for the quality of life: One crucial aspect, however, remains open and leads to a multitude of questions: Is this, what our hearing is exposed to, satisfying and enhancing our individual, social, functional, biological, economical, aesthetic and existential needs and endeavors? If not, which concepts exist to “orchestrate” everyday life’s cacophony? Which methods exist to successfully evaluate the quality of soundscapes? Continue reading


Feb 24, 2012
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Call: Papers for ICAD 2012 [us Atlanta, GA]

icad.jpgCall For Papers :: ICAD 2012 :: Georgia Institute of Technology, Atlanta, Georgia :: the deadline for submission of papers and posters will be on or around February 3, 2012; other deadlines will follow ::

Preliminary Announcement and Call for Participation – ICAD 2012 :: The 18th International Conference on Auditory Display (ICAD2012) will be held June 18-22, 2012, at the Georgia Institute of Technology in the heart of midtown Atlanta, Georgia. The event will mark the 20th anniversary of the 1st International Conference on Auditory Display. Since 1992, ICAD has been the premier international venue for the dissemination and discussion of work related to the science, art, and practice of sound as a communicative display. Continue reading


Oct 26, 2011
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Live Stage: Black Mountain College [us Asheville, NC]

images.jpegRe-Viewing Black Mountain College 3: 3rd Annual Conference: John Cage’s Circle of Influence :: October 7 – 9, 2011 :: UNC and the Black Mountain College Museum + Arts Center, Asheville, NC :: Weekend cost for the conference is $30; daily admission is $20; free for UNC Asheville faculty, students and staff ::

The Black Mountain College Museum + Arts Center in partnership with UNC Asheville and the John Cage Trust is pleased to announce ReVIEWING Black Mountain College 3 to be held October 7 – 9, 2011, a weekend gathering of scholars, performers and artists coming to Asheville to present ideas and perform works related to avant-garde composer John Cage. The program for the weekend will include music, performances, installations, exhibitions, films and scholarly presentations, all touching on some aspect of Cage’s life, work and genius…his Circle of Influence. Continue reading


Sep 28, 2011
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Live Stage: Understanding Visual Music Conference [ca Montreal]

conc1.jpgRegistration is open (free) for Understanding Visual Music 2011 :: at Concordia University in Montreal, Canada :: August 26 and 27, 2011 :: Register to reserve a seat until August 19th.

Description: A two-day conference focused on developing an understanding of the practice of visual music, its definition, related creative and perceptual considerations, current trends, technological innovation, and possible future directions.

The event will take place on Friday the 26th and Saturday the 27th of August 2011 and will include paper sessions, panels, and creative works presentations. Continue reading


Aug 18, 2011
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Live Stage: Conference on Listening

listening.jpgThe American Society for Cybernetics has great pleasure in announcing a conversational conference on the theme of LISTENING :: August 9 to August 15, 2011 :: Richmond, Indiana. USA :: Sign up deadline: May 10, 2011 ::

We regard listening as the key act that turns talking into conversation. However, we use these words metaphorically, and not just literally: we do not mean to concentrate on the aural senses, but on the idea that it is the recipient who gives meaning to what they hear. This is how they release the potential in a statement made by another into conversation, whether the conversation is in words, acts, gestures, or indeed any other medium of communication. This can lead to the development of understanding of the other so important in human relations (perhaps specially in fields such as psycho-therapy, management, education and music). Continue reading


Apr 26, 2011
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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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