Networked_Music_Review

Live Stage: Carpenter, Ross, Jordan, Reed [us NYC]

opto01.jpgOptoSonic Tea with live sets by: Alex Carpenter (live visuals and sound) with James Ross (live sound); Chris Jordan (live visuals) with Bradford Reed (live sound); with invited respondent/moderator: Andrea Monti :: Tuesday, February 15th, 2011 at 8:00 p.m. :: at Diapason, 882 Third Avenue, between 32nd and 33rd Streets, 10th floor, Brooklyn (Sunset Park) — directions: D, N or R train to 36th Street in Brooklyn :: (718) 499-5070 :: Suggested donation: $ 7 ::

OptoSonic Tea is a regular series of meetings dedicated to the convergence of live visuals with live sound which focuses on the visual component. These presentation-and-discussion meetings aim to explore different forms of live visuals (live video, live film, live slide projection and their variations and combinations) and the different ways they can come into interaction with live audio. Each evening features two different live visual artists or groups of artists who each perform a set with the live sound artists of their choice. The presentations are followed by an informal discussion about the artists’ practices over a cup of green tea. A third artist, from previous generations of visualists or related fields, is invited specifically to participate in this discussion so as to create a dialogue between current and past practices and provide different perspectives on the present and the future.

Organized by Katherine Liberovskaya and Ursula Scherrer :: OptoSonic Tea is partly funded by the Experimental Television Center. The Experimental Television Center’s Presentation Funds program is supported by the New York State Council on the Arts.

About the artists:

Alex Carpenter is an Australian artist and researcher living in New York City. He has performed extensively as a soloist playing guitar, keyboard and electric zither through a multi-amp and delay network he calls the Live Audio Delay System, and has also independently produced and coordinated a number of large-scale ensemble performance and multi-media events under the moniker Music of Transparent Means. Music of Transparent Means was Alex’s chief project in Australia from 2002 to 2007, initially providing a platform for his meticulously-tuned wineglass inventions, then later incorporating instruments such as prepared guitars, woodwind, strings, percussion and brass, and featuring as many as 21 performers at a single time. Alex’s most recent performance activity has centered on his own Live Video Delay System, an extension of the audio system which employs multiple cameras and extreme color isolation to facilitate a unique looping and layering of live laser drawings. The system was first tested at MELA Foundation in 2009, and continues to be shown on screen and in performance internationally. Alex has performed alongside artists such as Francisco Lopez (Madrid), Will Guthrie (Melbourne), Kyle Bobby Dunn and Richard Lainhart (NYC), and has produced several CD and DVD releases on his own label, Vanished Records.
http://transparentmeans.net/

James Ross is a guitarist and composer living in Brooklyn, NY. Originally from Pittsburgh, PA, he has studied guitar at the University of Pittsburgh and the Mannes College of Music in New York City. He is currently studying North Indian classical music and composition with La Monte Young and Marian Zazeela. A composer in a variety of genres, James has written music for orchestral and chamber ensembles, as well as solo music for the guitar and the zhongruan (a type of Chinese lute). In addition to scored works, he has created electronic pieces and recordings of improvised music. Recent performances as a composer and performer on the electric guitar, laptop and other instruments include sets at The Bell House; a performance with Kyle Bobby Dunn at Issue Project Room; at Goodbye Blue Monday with David Beardsley; providing live music for Katherine Liberovskaya and Ursula Scherrer¹s OptoSonic Tea series at Diapason Gallery in Brooklyn; with video artist Alex Carpenter at The Tank in Manhattan; and at Damrosch Park at Lincoln Center as part of the guitar ensemble for Rhys Chatham’s “A Crimson Grail.” As a classical guitarist, James has performed as a soloist and ensemble player throughout the Northeastern Unites States. He received a Solo Recitalist Fellowship in 1992 from the Pennsylvania Council on the Arts and won the 1993 Mannes College of Music Concerto Competition, resulting in a performance of Joaquin Rodrigo’s “Fantasia para un Gentilhombre”, at Symphony Space in New York City.
http://www.facebook.com/jrossmusic
http://soundcloud.com/jrossmusic

Chris Jordan explores the medium of light, movement, and time through the use of technology. His installations have appeared at the Moma, The New Museum, The Whitney, The Museum of Natural History, The Chelsea Museum, Times Square, numerous galleries and clubs; and the incidental spaces inbetween. The common elements that define Chris¹ work include explorations into memory, photography, film, interactivity, and projections. By examining the political and social implications technology has on us through a diversity of media, his work challenges the viewer to redefine perceptions of audience and performer. In addition Chris teaches interactive design at Baruch College and NYU; and organizes T-Minus, G33kXmas, rooftop movies, and visualist salons in New York City.

Bradford Reed is a Brooklyn based composer, performer and producer who fights and tames the idiosyncrasies of the pencilina, an original instrument of his own design and construction. He played with King Missile III (and produced 4 of their records) and in the Blue Man Group’s original band. He’s composed for film and television including the music for Superjail! on Adult Swim and is currently working on the score for Ugly Americans the new hit series on Comedy Central, an album of his own music and playing the drums with Zach Layton in their new project Minerals. More info at pencilina.com
http://pencilina.com/

Andrea Monti is an Italian artist and curator, living and working in Brooklyn, NY. His work ranges from mixed-media collages to music for films and video-installations. In 2005, he was one of the founders of the Lucca Film Festival, annual event in Italy focused on avant-garde and experimental cinema, where he presented over the years large retrospectives of works by Stephen Dwoskin, Kenneth Anger, Michael Snow, Guy Debord, Christian Lebrat, and others. Recently, he has been curating film series, exhibitions and video-programs for Anthology Film Archives, FIAF (French Institute), Italian Cultural Institute, White Box Gallery and Warhol Museum (Pittsburgh). His current projects include Microscope Gallery, a new art space in Brooklyn devoted to film, video, sound, and other time-based arts. http://www.microscopegallery.com/

for more information about OptoSonic Tea please visit: http://www.diapasongallery.org/optosonic.html


Feb 11, 2011
Trackback URL

Leave a comment

Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:

Tags


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings

Archives

2017

Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

Feed2Mobile
Massachusetts Cultural Council
networked_performance
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Turbulence
Upgrade! Boston

Turbulence Works