Networked_Music_Review

Live Stage: TELLUS The Audio Cassette Magazine Marathon [us New York, NY]

41572_104404479622248_665_n.jpgTELLUS The Audio Cassette Magazine Marathon :: Thursday, November 11, 2010 at 3:00 p.m. – November 13 at 12:00 a.m. :: at Harvestworks, 596 Broadway, #602, New York, NY :: Created By Joseph Nechvatal ::

Harvestworks/TELLUS can be viewed at the Alternative Histories Exhibition at Exit Art. (exitart.org) and tellusmedia.org

The presentation will take place in the Harvestworks audio gallery starting with TELLUS #1 through TELLUS #27 played in one hour segments starting at 3 pm until midnite on the following days: Thursday, November 11 – Issues #1 – #9 :: Friday November 12 – Issues #10 – #18 :: Saturday November 13 – Issues #19 – #27.

In 1987 it was predicted that TELLUS could “overthrow the entire hierarchy of established music … through the power of home electronics, the technological revolution by which Everyman can now afford sophisticated electronic performing and recording equipment”. – John Rockwell New York Times Sunday July 27, 1987

TELLUS was created in 1983 at the Rum Runner Bar on Canal Street in New York City. Joseph Nechvatal, a visual artist, Claudia Gould, a curator and Carol Parkinson, a composer and staff member of Harvestworks/Studio PASS met to discuss the idea of a magazine on cassette that would feature interesting and challenging sound works. With the advent of the Walkman and the Boom Box, the editors perceived a need for an alternative to radio programming and the commercially available recordings on the market at that time.

AS A TEAM they began to collect, produce, document and define the art of audio through publishing works from local, national and international artists. We worked with contributing editors, experts in their fields, who proposed themes and collected the best works from that genre. Unknown artists were teamed with well-known artists, historical works were juxtaposed with contemporary and high art with popular art, all in an effort to enhance the crossover communication between the different mediums of art – visual, music, performance and spoken word.

“One of the clear things I remember about that evening at the Rum Runner bar in 1983 is that Joseph envisioned us being so successful that one day Tellus would have it’s own building in midtown. While that clearly never happened It was however that same passion, and enthusiasm that we all carried with us with each diverse issue that we put into the world. Today I see with more clarity how important that work really was”. Claudia Gould

“With what seemed like the sudden post-industrial affordability of home cassette recording technology in the 1970s, combined with the simultaneous influence of DIY punk rock magazines and edgy art publication projects (such as Barbara Ess and Glenn Branca’s “Just Another Asshole”) the idea for “Tellus: the audio cassette magazine” came naturally. Steeped in the aftermath of Fluxus and the expanded arts, Tellus came together just at the moment when anyone could produce art noise. Anyone could record and distribute it. And so we did”. -Joseph Nechvatal

Founded in 1977, Harvestworks (also known as StudioPASS – the Public Access Synthesizer Studio) was started by artists to provide low-cost access to advanced sound equipment to foster new experimental sound works. The StudioPASS environment had a dynamic, hands-on, inside the electronics creative feel to it that was open and receptive to the new ideas brought in by the young, twenty-something TELLUS team. – Carol Parkinson

http://www.harvestworks.org/index.php option=com_content&view=article&id=403%3Atellusmarathon&catid=3%3Anewsflash
http://en.wikipedia.org/wiki/Tellus_Audio_Cassette_Magazine


Oct 6, 2010
Trackback URL

Leave a comment

Interviews

Current interview:
Robin Meier, Ali Momeni and the sound of insects

Previous Interviews:

Tags


livestage music sound performance calls + opps installation audio/visual radio festival instrument networked audio interactive experimental electronic workshop video participatory writings event mobile exhibition concert live collaboration electroacoustic environment nature reblog distributed soundscape field recording net_music_weekly improvisation software history locative media space public noise recording immersion voice acoustic sonification lecture generative conference body tool sound sculpture net art art + science VJ/DJ light diy remix site-specific perception mapping film visualization listening laptop algorithmic multimedia city urban data wearable architecture open source game virtual biotechnology sound walk spatialization webcast hacktivism robotic image score platform electromagnetic new media cinema ecology found news composer telematic interface streaming residency interviews/other sensor dance circuit bending synesthesia physical political notation intervention object controller broadcasts conversation narrative second life responsive mashup place technology ambient social network symposium motion tracking hybrid intermedia augmented spoken word livecoding text phonography auralization acousmatic upgrade! gesture opera aesthetics mixed reality resource theory processing 8bit orchestra nmr_commission wireless device toy wireless network theater web 2.0 presentation community surveillance p2p 3D copyright soundtrack research podcast sample feedback psychogeography social chance interdisciplinary tactile recycle interview language systems code emergence presence cassette privacy free/libre software media play chiptune newsletter place-specific archives avatar education haptics activist surround sound audio tour glitch hardware tactical identity bioart asynchronous business tv tangible composition animation jazz transmission arts apps tag e-literature collective microsound relational synchronous Artificial Intelligence conductor convergence reuse simulation ubiquitous synthesizers im/material
3D 8bit acousmatic acoustic activist aesthetics algorithmic ambient animation apps architecture archives art + science Artificial Intelligence asynchronous audio audio/visual audio tour augmented auralization avatar bioart biotechnology body broadcasts business calls + opps cassette chance chiptune cinema circuit bending city code collaboration collective community composer composition concert conductor conference controller convergence conversation copyright dance data distributed diy e-literature ecology education electroacoustic electromagnetic electronic emergence environment event exhibition experimental feedback festival field recording film found free/libre software game generative gesture glitch hacktivism haptics hardware history hybrid identity im/material image immersion improvisation installation instrument interactive interdisciplinary interface intermedia intervention interview interviews/other jazz language laptop lecture light listening live livecoding livestage locative media mapping mashup media microsound mixed reality mobile motion tracking multimedia music narrative nature net art networked net_music_weekly new media news newsletter nmr_commission noise notation object open source opera orchestra p2p participatory perception performance phonography physical place place-specific platform play podcast political presence presentation privacy processing psychogeography public radio reblog recording recycle relational remix research residency resource responsive reuse robotic sample score second life sensor simulation site-specific social social network software sonification sound soundscape sound sculpture soundtrack sound walk space spatialization spoken word streaming surround sound surveillance symposium synchronous synesthesia synthesizers systems tactical tactile tag tangible technology telematic text theater theory tool toy transmission arts tv ubiquitous upgrade! urban video virtual visualization VJ/DJ voice wearable web 2.0 webcast wireless device wireless network workshop writings

Archives

2017

Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2016

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2015

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2014

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2013

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2012

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2011

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2010

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2009

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2008

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2007

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2006

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2005

Dec | Nov | Oct | Sep | Aug | Jul
Jun | May | Apr | Mar | Feb | Jan

2004

Dec | Nov | Oct | Sep | Aug | Jul

What is this?

Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

Read more...

NMR Commissions

NMR commissioned the following artists to create new sound art works. More...
More NMR Commissions

Net_Music_Weekly

"Two Trains" by Data-Driven DJ aka Brian Foo

Two Trains: Sonification of Income Inequality on the NYC Subway by Data-Driven DJ aka Brian Foo: The goal of this song is to emulate a ride on the New York City Subway's 2 Train ... Read more
Previous N_M_Weeklies

Bloggers

Guest Bloggers:

F.Y.I.

Feed2Mobile
Massachusetts Cultural Council
networked_performance
Networked: a (networked_book) about (networked_art)
New American Radio
New Radio and Performing Arts, Inc.
New York State Council on the Arts, a State agency
New York State Music Fund
Turbulence
Upgrade! Boston

Turbulence Works