Networked_Music_Review

International Journal of Music and Technology

oso.jpgOrganised Sound: An International Journal of Music and Technology: Volume 17, Number 1: Networked Electroacoustic Music :: Date of Publication: April 2012 :: Publishers: Cambridge University Press :: Issue co-ordinators: Ian Whalley (musik [at] waikato.ac.nz), Ken Fields (kfields [at] ucalgary.ca) :: Call for Submissions — Deadline: June 15, 2011.

Organised Sound has regularly covered networked music in the past, including a themed issue (vol. 10/3, 2005). The proliferation of Internet2 has resulted in a sustained practice of sonic and multimedia experimentation over high-speed research networks. This current themed issue aims to explore and document current work, practices and innovation in this new musical space. Are there new issues in aesthetics to be addressed in electroacoustic music as mediated by networks? What continuing practices and roles are being transformed and/or reinterpreted as a consequence? What are the most significant new outcomes or processes? What are the current research questions that need to be explored? As the diffusion of multichannel audio set an agenda for a generation of electroacoustic music, will geo-diffusion be a new benchmark?

Topics for investigation might include, but are not restricted to:
Conceptual frameworks for current and continuing research
Perceptual/cognitive framing of the tele-musical event
Aesthetics/philosophy of sonic interconnection
Beyond spatialisation: geo-diffusion
New tools and techniques being used and explored
Production and social-organisational challenges created by distributed work
Hybrid art-forms that may have emerged
Challenges in combining local and remote acoustics
Human and Network Interaction (HNI)
Distributed / remote participation (composition, performance, reception)
Network acoustics: sonifying the network
Sonic outcomes of machine, Internet2, and human interaction
Artistic statements and innovative outcomes

The OS issue Networked Electroacoustic Music will also be encouraged through a networked symposium in January 2011. For updates subscribe to:http://mailman.ucalgary.ca/mailman/listinfo/stremes-l

As always, submissions related to the theme are encouraged; however, those that fall outside the scope of this theme are always welcome.

Deadline for submissions is 15 June 2011. Submitted papers may supporting audio and audio-visual material will be presented as part of the journal’s annual DVD-ROM which will appear with issue 17/3 as well on the journal’s website when the issue is published.

SUBMISSION FORMAT

Notes for Contributors and further details can be obtained from the inside back cover of published issues of Organised Sound or at the following url:

http://journals.cambridge.org/action/displayMoreInfo?jid=OSO&type=ifc (and download the pdf)

Properly formatted email submissions and general queries should be sent to: os@dmu.ac.uk, not to the guest editors.

Hard copy of articles and images (only when requested) and other material (e.g., sound and audio-visual files, etc. normally max. 15 sound files or 8 movie files) should be submitted to:

Prof. Leigh Landy
Organised Sound
Clephan Building
De Montfort University
Leicester LE1 9BH, UK.

Editor: Leigh Landy
Associate Editors: Ross Kirk and Richard Orton
Regional Editors: Joel Chadabe, Lonce Wyse, Eduardo Miranda, J?ran Rudi, Barry Truax, Ian Whalley, David Worrall
International Editorial Board: Marc Battier, Hannah Bosma, Alessandro Cipriani, Simon Emmerson, Kenneth Fields, Rajmil Fischman, Rosemary Mountain, Tony Myatt, Jean-Claude Risset, Margaret Schedel, Mary Simoni, Martin Supper


Sep 6, 2010
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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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