Networked_Music_Review

Contemporary Music Review: Network Performance

Tags:
networked
music
telematic
performance
writings
theory

Helen
Thorington

cover.jpgFrom Pedro Rebelo’s Blog :: Network Performance issue of Contemporary Music Review Vol.28 Nos 4/5 August/October 2009 Out Now:

This issue of Contemporary Music Review is in itself a network of different materials and approaches which attempt to provide ‘nodal’ views on performance in the network. From the theoretical to the anecdotal, from the score to the historical timeline each article focuses on a particular view of the network, addressing practices which are sometimes new and other times instances of dreams and fantasies of centuries.

  • Editorial: Pedro Rebelo
  • Networked Music & Soundart Timeline (NMSAT): A Panoramic View of Practices and Techniques Related to Sound Transmission and Distance Listening, Jérôme Joy and Peter Sinclair
  • Network Musics: Play, Engagement and the Democratization of Performance, David Kim-Boyle

  • Dramaturgy as a Model for Geographically Displaced Collaborations: Views from Within and Views from Without, Franziska Schroeder
  • Dramaturgy in the Network, Pedro Rebelo
  • On the Evolution of Music Notation in Network Music Environments, Georg Hajdu; Nick Didkovsky
  • Not Being There, Miller Puckette
  • Tapping into the Internet as an Acoustical/Musical Medium, Chris Chafe
  • The Telematic Music System: Affordances for a New Instrument to Shape the Music of Tomorrow, Jonas Braasch
  • Networked Music: Low and High Tech, Pauline Oliveros
  • Here Right Now, Monique Buzzarté
  • Long Distance Sitting #2: Untitled Sit for Multiple Virtual Bodies and You, Michelle Nagai
  • Now …and then? commissioned for Deep Listening Institute’s “Telemergence”– New works for the telematic medium, Kristin Norderval
  • Networked Music & Soundart Timeline (NMSAT) Excerpts of Part One: Ancient and Modern History, Anticipatory Literature, and Technical Developments References, Jérôme Joy

    • Jan 5, 2010
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