Networked_Music_Review

Invisible Geographies

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Ears to the Ground

Invisible Geographies, an exhibition organized by critic Christophe Cox, presents four works that illuminate different facets of contemporary German sound art–a scene that has been tremendously influential since the 1970s. Aside from the national focus, what is unique about Invisible Geographies, amidst a wider burgeoning of sound art practice, are the diverse, large-scale installations of which it’s comprised. Encompassing sculpture, video, light, and found objects, the four works by Jens Brand, Jan-Peter E.R. Sonntag, Stefan Rummel, and Christina Kubisch push far-flung edges of sound art’s formal boundaries. They are linked by their common interest in physical or social dimensions of sound, and in their deft re-mapping of urban space. Kubisch presents three related projects under the heading ‘New York Electrical Walk’ that variously highlight, visualize and transform electro-magnetic sound waves the artist recorded in Times Square. A rough-hewn installation by Rummel made with found building materials and retired electronic equipment re-constitutes the space of the gallery according to its resident aural elements, putting echoes from hidden storage spaces in conversation with the humming of light fixtures. Gallery-goers can expect their senses will be re-tuned after a trip to Invisible Geographies, which will be reverberating at The Kitchen, in New York, through October 14th. – Lauren Cornell, Rhizome News.


Sep 15, 2006

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Networked_Music_Review (NMR) is a research blog that focuses on emerging networked musical explorations.

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