| Title | Description | Medium | Work on Turbulence |
| Annie Abrahams | Dynamic php portrait made with
BramTV on September 19, 2006. Files may be used by the owner as pleases. No other
copy available. http://bram.org/ext/collection/turbulence/index.html | Web work, dimensions: depends on screen. | :confrontation: [Spotlight] Why Rock? [Guest Curator] |
| Kate Armstrong: book //action | 2003, 5" x 4" | Drawing on paper | Grafik Dynamo [commission] |
| Kate Armstrong: Expression Code | 2005, 10" x 6" | Drawing on paper | Grafik Dynamo [commission] |
| Kate Armstrong: There are Worlds Here | 2001, 7" x 4" | Drawing on paper | Grafik Dynamo [commission] |
| Kate Armstrong: Reflection on the Concept Cycle of Lamb Costumes | 2004, 5" x 4" | Drawing on paper | Grafik Dynamo [commission] |
| Diane Bertolo: over/time | over/time is a digital-era memento mori, a variable-collage about decay and the passage of time that doubles as a clock. Created in Director/Flash, it randomly cycles through and selects from an array of images as a function of the time registered by the computer's internal clock. These images appear onscreen in unique configuration--on-the-fly collages that coalesce and vanish with the passage of seconds, minutes and hours. The images in each quadrant together correspond to the time. | Computer program delivered on CD-rom (packaged with 2 digital photos). |
channelUntitled
[commission] FT2K [commission] |
| Andy Deck: Panel Junction Calendar |
Panel Junction (2006) combines the graphic novel with forms of shared authorship that have been made possible by the Internet. Contributions from visitors to this site will culminate in a free document suitable for printing with an ink-jet printer. The calendar will be available in January 06. | Printed Calendar; 8.5 x 11" (folded 11 x 17" paper), printed on colored cover stock (recycled paper) and white 15% post-consumer waste interior pages. Signed. | Imprimatur
[commission] Culture Map [commission] Collision Control [Spotlight] |
| Onomé Ekeh: lovemad>> |
lovemad>> is five parallel universes of the same love story linked by quantum brain disorders and apidean flight plans... The DVD ROM includes the audio sequences as well as the entire script, notes and illustrations. | DVD, 53 min. | Machine Fragments [commission] |
| Jason Freeman: Graph Theory | The score is an algorithmically-generated exploration of sixty-one musical fragments; it changes over time based on the decisions made by users of an interactive web site. The score includes introductory notes and a semantic sketch of the music. The web version of Graph Theory was commissioned by Turbulence.org and created by Jason Freeman, Patricia Reed, and Maja Cerar. | Musical score, signed by the composer, 8.5 x 11. | Graph
Theory [commission] N.A.G. [commission] |
| Tal Halpern: Le Nouveau Western: An Interactive Fiction | Le Nouveau Western is a multi-tiered interactive narrative, which invites readers to sift through the remains of a fictional radio engineer’s diary, postcards, sound recordings and comic book in order to uncover a story about the pleasures of listening and the costs of doing so. | Limited edition CD, signed and numbered. | Le
Nouveau Western: An Interactive Fiction [commission] Digital Nature [commission] |
| Peter Horvath: Tenderly Yours (DVD) | Tenderly Yours resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory...[more] | Limited edition DVD, signed and numbered. | Intervals
[commission] Artist's Studio |
| Peter Horvath: Tenderly Yours (Book) | same as above | Book: limited edition of 48; 65 pages; full color; hardcover, DVD included; signed and numbered. | Intervals
[commission] Artist's Studio |
| David Jhave Johnston: Affectionate Device Residue | One non-functioning Optio WP digital camera in pieces. This camera was utilized by the artist to create 3 online digital works: Maerd, Interstitial, and Teleport. The titles of each piece will be etched (very small) into the surface of the integrated circuit of the camera. The work is meant as a way of thanking the components of the camera for their contributions to art and commemorating its demise as a functional device. Comes with a crude handmade camera coffin. | Digital camera pieces, 6" x 4". | Inter-face [commission] |
| Brooke A. Knight: Nocturne 1 | The Nocturne series is an ongoing investigation into the relationship between drawing, photography, and digital processes. Referencing James Abbott McNeill Whistler's famous Nocturne series—in which he pushed his paintings into the realm of abstraction—Knight's series pushes photography into abstraction through simple digital manipulation. As a result, the works look like drawings. In essence, they are true photographs, literally "light drawings," as fireworks are the source of the images. The result is a series of inversions: the expectation of Nocturnes to be dark, rather than light; photographs that look like drawings; digital manipulation that appears handmade; and quiet pictures from loud fireworks. | Digital print on acid-free paper, 5 x 5 inches (image size) | Cell_Tagging [commission] |
| Brooke A. Knight: Nocturne 2 | The Nocturne series is an ongoing investigation into the relationship between drawing, photography, and digital processes. Referencing James Abbott McNeill Whistler's famous Nocturne series—in which he pushed his paintings into the realm of abstraction—Knight's series pushes photography into abstraction through simple digital manipulation. As a result, the works look like drawings. In essence, they are true photographs, literally "light drawings," as fireworks are the source of the images. The result is a series of inversions: the expectation of Nocturnes to be dark, rather than light; photographs that look like drawings; digital manipulation that appears handmade; and quiet pictures from loud fireworks. | Digital print on acid-free paper, 5 x 5 inches (image size) | Cell_Tagging [commission] |
| Brooke A. Knight: Nocturne 3 | The Nocturne series is an ongoing investigation into the relationship between drawing, photography, and digital processes. Referencing James Abbott McNeill Whistler's famous Nocturne series—in which he pushed his paintings into the realm of abstraction—Knight's series pushes photography into abstraction through simple digital manipulation. As a result, the works look like drawings. In essence, they are true photographs, literally "light drawings," as fireworks are the source of the images. The result is a series of inversions: the expectation of Nocturnes to be dark, rather than light; photographs that look like drawings; digital manipulation that appears handmade; and quiet pictures from loud fireworks. | Digital print on acid-free paper, 5 x 5 inches (image size) | Cell_Tagging [commission] |
| kanarinka: No. 080305092346-02453 | Part of the series "12 Inches of Weather" in which the drawings are made by using an algorithm to map the movements and excretions of 12 inches of the body as it was subjected to activities of displacement such as walking, running, and yoga. | Ink on 1970s computer printing paper, 12" X 12" | /reimaginings/
[commission] Artist's Studio |
| kanarinka: No. 080305102228-02453 | Part of the series "12 Inches of Weather" in which the drawings are made by using an algorithm to map the movements and excretions of 12 inches of the body as it was subjected to activities of displacement such as walking, running, and yoga. | Ink on 1970s computer printing paper, 12" X 12" | /reimaginings/
[commission] Artist's Studio |
| kanarinka: No. 080405212520-02453 | Part of the series "12 Inches of Weather" in which the drawings are made by using an algorithm to map the movements and excretions of 12 inches of the body as it was subjected to activities of displacement such as walking, running, and yoga. | Ink on 1970s computer printing paper, 12" X 12" | /reimaginings/
[commission] Artist's Studio |
| Steven Lam: Aphasiatic Terror T-shirts: Len(in)non | This project is an extension from the artist's Lennon/Lenin video series in the a bright T-shirt format. By scrambling the biographies of John Lennon with Vladimir Lenin the artists attempts to remobilize a political dialectic once stalled after the failure of a modernist utopia. Cotton-soft, brightly colored, yet radically chic, the T-shirts announces the owner's preoccupation with radical 60s politics fused with old-school Leninist conviction. | Iron-on image on cotton T's; 2 medium or large Red and black. | HRRAAGHP-TING! [commission] |
| Patrick Lichty: Untitled Nude | 2005 | Emboss/residue print from laser-engraved birch plate on Arches paper, 10" x 8". | ICONography [Guest Curator] |
| Patrick Lichty: Untitled Nude II | 2005 | Emboss/residue print from laser-engraved birch plate on Arches paper, 10" x 8". | ICONography [Guest Curator] |
| Patrick Lichty: Encoded Message: The Archaeology of Knowledge (data matrix) | 2005 | Laser-engraved 300# Arches Watercolor paper, 7" x 7". | ICONography [Guest Curator] |
| Michael Takeo Magruder: Study - 29.10.2006 - Portrait of Conformity | Archival digital print signed and dated by the artist; numbered artist proof; printed on 255 gsm Somerset Velvet with HP archival inks. | 72 x 57 cm (paper); 52.5 x 40 cm (image). | Monolith[s]
[commission] <event> [commission] Artist's Studio |
| Michael Takeo Magruder: Study - 20.10.2006 - C_us_tody | Archival digital print signed and dated by the artist; numbered artist proof; printed on 255 gsm Somerset Velvet with HP archival inks. | 72 x 57 cm (paper); 52.5 x 40 cm (image). | Monolith[s]
[commission] <event> [commission] Artist's Studio |
| Michael Takeo Magruder: Study - 29.09.2006 - War and Peace | Archival digital print signed and dated by the artist; numbered artist proof; printed on 255 gsm Somerset Velvet with HP archival inks. | 72 x 57 cm (paper); 52.5 x 40 cm (image). | Monolith[s]
[commission] <event> [commission] Artist's Studio |
| Michael Takeo Magruder: Re_collection | Archival digital print signed and dated by the artist; edition of 10; printed on 255 gsm Somerset Velvet with Epson archival inks. Re_collection is the product of one of the most ubiquitous technologies - the mobile phone. A captured moment, precious and instilled with personal significance, provides the exclusive source material for the artwork. | Paper size 21 x 28 cm. Image size 20 X 15 cm. | <event>
[commission] Artist's Studio |
| Michael Mandiberg: Exchange Program | The
Exchange Program: From April 20th to 30th 2002 Michael Mandiberg went to Toronto
to live Amy Satterthwaite's life, and she came to Los Angeles to live his. With
the intent of "playing" each other, they took on each other's name,
space, friends, family, jobs and possessions, and let go of their own. They both
created instructions on how to "be" or "perform" themselves.
Michael Mandiberg's instructions took the form of The
Essential Guide to Performing Michael Mandiberg, an online do-it-yourself
guide which was commissioned by Turbulence.org. | DVD | OilStandard
[commission] IN Network [commission] The Essential Guide to Performing Michael Mandiberg [commission] |
| microRevolt: Mickey Face Mask | Machine knitted by microRevolt collective, stitched with trademark violations of corporate sweatshop offenders. | 13 inches wide connected by elastic. (1) purple and aqua yarn with elastic (2) dark grey and light grey yarn with elastic. | Knitoscope
Testimonies [commission] |
| microRevolt: Logoknit Legwarmers | Machine knitted by microRevolt collective stitched with trademark violations of corporate sweatshop offenders. | 21 inches long, one size fits most. Green, yellow and black yarn, Mickey and Gap logo. | Knitoscope
Testimonies [commission] |
| Mouchette: Flesh&Blood carrier bag |
A luxury carrier bag promoting the brand "Mouchette.org." The picture comes the internet piece "Flesh&Blood" by Mouchette. MOUCHETTE (2001) is a fictitious tale of a 13-year-old girl who wants to committ suicide on her 14th birthday - a site which has become a cult while the mystery of who the creator is continues. | Signed, limited edition. High quality paper, superbly printed. Only 2 left. 42cm x 32cm x 13cm | |
| Mouchette: Poetry CD | MOUCHETTE This audio CD was made in 1998 when Mouchette didn't even have a domain of her own. CBK Rotterdam made this edition of 500, but only very few copies are still circulating. Mouchette's poetry is computer-generated poetry. Some examples of it can be found on her site. | Signed,
audio CD, spoken texts in French, English, Dutch. 40 min. | |
| MTAA: DC 911 - The Evildoers' Remix | DC 911 is a guerilla edit of the pro-Bush propaganda film DC 9/11 - A Time of Crisis. First shown during the 2004 RNC at Postmasters Galley in New York. The video is a collaboration between new media art duo MTAA, video artist bodyatomic and musician/DJ tinydiva | DVD with unique cover collage; 1 hour 10 minutes. | 1 Year Performance Video (aka samHsiehUpdate) [commission] |
| Andrea Polli: Retina Burn | "In Retina Burn, soundwaves generated by the sun are manipulated by movements of the performer's eye, thereby allowing the listener to audibly 'view' the sun without the usual risk of damaged vision. The composition's low hums and fluttering sine waves combine with percussive blinks and squints to gradually move through a series of sonic dilations; a feast for the ears prepared by the eye." -John Kannenberg, Stasisfield Founder/Curator | Audio CD | Heat and the Heartbeat of the City [commission] |
| Andrea Polli: Atmospherics/Weather Works | "Atmospherics/Weather Works is a performance, an installation and a distributed software project aimed at extracting sounds from storms and other weather events. The sounds are generated directly from the original data of the event in a detailed and physically accurate simulation. They analyzed their data, then created the sounds, obtaining evocative and disquieting pieces which, as well as reconstructing unique events, underline the nature's ability to autonomously generate complex rhythms and melodies." -Neural.it e-music news | Audio CD | Heat and the Heartbeat of the City [commission] |
| Andrea Polli: Queensbridge Wind Power Project | "The
Queensboro Bridge is a beautiful artifact of the industrial age and this project
represents the transition that can and must be made from the industrial age, dependent
on fossil fuels, to an industrial era that lives off of solar income...wind is
solar energy too, and all sustainability is about getting the income to expense
ratio on solar income to something that can be sustained by living systems."-Paul
Hawken, author of Natural Capitalism in response to the project Project made possible (in part) by the Queens Council on the Arts with public funding from the New York City Department of Cultural Affairs. | Limited Edition DVD | Heat and the Heartbeat of the City [commission] |
| Preemptive Media: The Fossil Fuel Fix | This large and colorful poster was created by Preemptive Media as part of their AIR (Area's Immediate Reading) project, the 2005 Social Sculpture Commission from Eyebeam and Lower Manhattan Cultural Council. See how the oil flows into the US, what we squeeze out of a barrel of crude and some of the by-products of fossil fuel combustion. For more information about AIR, visit www.pm-air.net. | 4-color Poster, 27" x 39"; signed | The
Swipe Toolkit [commission] |
| Preemptive Media: Zapped! Workbook |
The Preemptive Media Zapped! workbook is a collection of colorful puzzles, exercises and games that makes learning about Radio Frequency Identification (RFID) super fun and easy. Complete the workbook and earn your Zapped! RFID Scout certificate. For more information, visit www.zapped-it.net. | 7.5" x 8.5", 27 page book. Color cover. | The
Swipe Toolkit [commission] |
| Gustavo Romano: Time Notes |
Time Notes project involves a series of actions using a new money system: bills based on time units. This collection is a complete set of bills of those that were used in the actions that took place in Singapore Biennale 2006. | Set of 16 Digital prints, 142 x 74 mm. | |
| Yoshi Sodeoka: Noise Driven Ambient Audio And Visuals |
Noise Driven Ambient Audio And Visuals is a compilation of experimental noise/ambient videos created by C505 and music by KNBS. A far cry from music videos, the pieces are more analogous to experimental / abstract film and video art. C505's aesthetic shuns the pursuit of 3D digital realism and sanitized graphic design and instead embraces the layered residue of analog distortions and glitches. Uniquely, both the sound and video are created simultaneously by C505 and KNBS yielding a woven relationship that feels symbiotic instead of driven by one or the other. C505’s favored techniques include, video feedback loops, video flicker induction, CRT distortions created by magnetic fields and capturing various visual and audio static from a multitude of analog sources. Over 50 minutes of content, this DVD also contains guest director's work such as Associates In Science, Lew Baldwin, Day-Dream, Jonathan Turner and WeWorkForThem. | Signed DVD. | Prototype
#44: Net Pirate Number Station [commission] ASCII Bush [Spotlight] |
| Nathaniel Stern: hektor's self-portraits | hektor's self-portraits are a series of eleven experimental pinhole photographs (1999). The camera is a homemade contraption constructed out of an answering machine box - a substitute for communication when "nobody's home." Some of the images are double or triple exposures, while others are washed-out shots of his face. There is a deep contrast in each image, and his eyes and face are never fully realized. Edition of 10; 11 prints sold individually or as a set. | Archival hahnemuhle water color paper, 250 x 200 mm or 7.87" x 9.84" each, with a small white border that can be cropped as the buyer sees fit for framing (signed on back) | getawayexperiment.net [commission] |
| Helen Thorington: Calling to Mind [CD} | Commissioned by Deep Wireless, Canada, 2005 | Audio CD | Adrift North Country, Part 1 North Country, Part 2 Solitaire |
| Helen Thorington: Calling to Mind [Surround Sound DVD] | Commissioned by Deep Wireless, Canada, 2005 | Limited Edition (100) Surround sound DVD. Signed by the artist. | Adrift North Country, Part 1 North Country, Part 2 Solitaire |
| Jody Zellen: The Blackest Spot | The blackest Spot is a limited edition artists book that accompanies the website Crowds and Power that was the October 2002 selection for the Whitney Artport. More information about the book here. Crowds and Power uses mediated images to explore the relationship between space, memory, and territory. Windows containing image fragments emphasize the displacement of individuals and the transformation of urban space where large gatherings, demonstrations, and struggles are represented. By juxtaposing charged images with theoretical and philosphical texts about the nature of crowds this website explores internal and external conflicts. | Limited edition Artist's Book, 4.5 x 4.5 inches. | Artist's Studio |
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