[Futurefarmers embark their mobile oven on Oslo Opera House, June 2013. Photo: Max McClure.] Situations: Challenging Public Art Now presents Slow Space: An unfolding programme of public art projects in the city of Oslo.

Slow Space, a new programme of public art projects, events and publications, is set to unfold in Bjørvika, Oslo’s former container port, over the next four years. Challenging preconceptions about the forms and timespan of conventional public artworks, the programme promises a new approach to working with artists in sites of regeneration. Continue reading

Radius 25: Cultural Morphing by Klaus Filip / Nicolaj Kirisits / et al. :: May 20-21, 2012; 8:00 am CST (to coincide with the 2012 Chicago NATO Summit).

Cultural Morphing is an experiment in creating a multi-perspective image of reality from the simultaneous experience of a geographic line by the individual expression of a perceived personal reality. Twelve invited artists traveled by train from Vienna to Shanghai, and selected stops along the route served as their workspace where they would meticulously work out an project that outlined various aspects of cultural transition experienced on the journey. Stopovers at Ulan-Ude, Ulan Bator, Beijing and Shanghai were used to exhibit the works that were created en route. Continue reading

Lisa Cartwright + Christina Lammer: Empathography: The Art of Clinical Intimacy :: May 2, 2012; 6:00 pm :: EMPAC, corner 8th Street and College Avenue, Troy, NY.

What do we sense during surgery? Touch, sounds, and smells in the surgical theater, as well as engagement with others and the intersubjective experience of the senses during medical procedures are the focus of this intimate conversation. This discussion on the senses in austere surgical settings will be accompanied by a screening of video and sounds works. Continue reading

[WikiLeak – Kaupthing Claims, 2011, Rules Series. Gouache Wall Painting. Dimensions variable.] Short Big Drama – Angela Bulloch :: January 21 – April 9, 2012 :: Opening: January 20; 7:00 – 9:00 pm :: Witte de With Center for Contemporary Art, Witte de Withstraat 50, 3012 BR Rotterdam, The Netherlands.

Short Big Drama highlights the theatricality of the artist’s practice. This comprehensive exhibition presents a wide selection of existing works together with specially commissioned new pieces. The spotlight falls on three types of works — monumental wall paintings, colorful Pixel Box installations and interactive Drawing Machines. Continue reading

‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice by Stan Wijnans, Body, Space & Technology Journal, Vol 10 Number 2:

This paper reflects on the creation and perception of an interactive spatial ChoreoSonic1 performance environment. The term ‘Transonic Perception’ is introduced to describe the intimate bodily experience of the dancer who creates the 3D spatial sonic environment within the technologically enhanced environment. I will discuss conceptual issues that outline a synchronicity between the spatial elements of dance movement and 3D spatial sound perception that can be used artistically in the creative process. The discussion focuses specifically on the human perception of the visual, tactical and auditory space in the digitally enhanced performance environment.

Emotional Skin: Performance and Sensorial Environments — a VIDA 13.0 workshop with Sonia Cillari :: October 26-28, 2011 :: Matadero Madrid. Paseo de la Chopera 14, Madrid, Spain.

The Italian artist Sonia Cillari, honourable mention in VIDA 13.0, will share with participants her exploration of sensorial and perception mechanisms in immersed environments and the consciousness, perception and identity-related patterns arising from them.

The workshop is structured along three main lines: physical and phenomenological reality, the body as an interface (how do we experience space?) and the physical phenomena of the radiating body. The event is also conceived as an open debate during which attendees may propose new perceptive strategies and discuss the specific subjects proposed. Continue reading

Pulse by Markus Kison is a real time visualization of emotional expressions from blogs. Continue reading

Dérive @ Espace [im] média by François Quévillon :: until September 18, 2011 :: Outdoor interactive projection near the Marché the la Gare, 720 Place de la Gare, Sherbrooke, Quebec J1H 0E9, Canada.

Presented outdoors during Sherbrooke’s Espace [IM] Média festival, Dérive is a networked interactive installation by François Quévillon that invites the public to explore 3D models of urban spaces that are transformed according to environmental data collected in real time on the Web.

This first version of the installation presents 3D point clouds of Orleans (France), New York (USA), Sherbrooke and Montreal (Quebec, Canada) that were realized by the use of photogrammetry and geomatic data. Continue reading

neomaflux by Troy Innocent + Indae Hwang :: Part of UNCONTAINABLE: Terra Virtualis — Curated by The Australian Centre of Virtual Art (ACVA)
 @ ISEA2011 :: September 14 – October 14, 2011 :: Nuru Ziya Suites, Istanbul.

noemaflux describes an act of shifting perception. In this work it is centered on the experience of an augmented reality to enable new experiences of urban space and different ways of seeing the city. This experience is constructed via a network of relationships that connect AR markers, urban space, generative writing systems and abstract virtual spaces.

Players use mobile devices explore streets and laneways and find nine signs integrated into the urban environment. Continue reading

[The Post Reality Show by Randall Packer] ISEA Istanbul presents Interart|Intersensorium. On the Interrelation of Media and the Senses — Chair Per­sons: Dr. Anke Fin­ger, Dr. Chris­tiane Heibach; Pre­sen­ters: Chris­tiane Heibach, Ran­dall Packer, Cre­tien van Campen, Semir Zeki, Bir­git Mers­mann :: Sep­tem­ber 20, 2011; Session 1: 9:00 – 10:30 am Session 2: 1:00 -2:30 pm :: Sa­banci Cen­ter Room 3, Sa­banci Cen­ter, Lev­ent.

This panel, then, seeks to push this area fur­ther, par­tic­u­larly em­pha­siz­ing the role of media and me­di­al­iza­tion: Brian Mas­sumi’s and Mark Hansen’s work, for ex­am­ple, de­spite its sig­nif­i­cance, con­tin­ues to em­ploy an un­dif­fer­en­ti­ated no­tion of “em­bod­i­ment“ to de­scribe in­ter­sen­so­r­ial per­cep­tion. Continue reading