November 20, 2004
Evidence Locker
Retrieval Room
For the Liverpool Art Biennal, American Jill Magid worked with the operators of the city's CCTV surveillance cameras to teach them the techniques of professional filmmakers.
During one month, Magid wore a red trench coat and boots, ensuring she could easily be spotted throughout the city. She called the police on duty with details of where she was and asked them to film her in particular poses and even guide her through the city with her eyes closed - all using the public surveillance cameras. All around Magid, the most innocent passers-by were transformed into potential bag-snatchers, rapists and serial killers by the camera's behaviour.
The final work was made into two installations: Evidence Locker at Tate evokes the space of the CCTV monitoring station, with a soundtrack of the police log being read aloud, and CCTV footage featuring the artist. Evidence Locker at FACT reveals Magid's evolving relationship with the CCTV staff through a daily diary and video projections [until November 28th at the FACT gallery in Liverpool.] From near near future.
Posted by jo at November 20, 2004 10:22 AM
Comments
read an interview--Surveillance, Performance, Self-Surveillance--here: http://www.networkcultures.org/weblog/archives/2004/10/surveillance_pe_1.html
Posted by: Jo at December 7, 2004 10:11 AM
