September 04, 2004
Work by Don Ritter
"Unlike art from previous times, interactive art considers the viewer’s body as an integral component of the experience; the quality of this experience is measured by the term physical aesthetics, being the pleasantness or unpleasantness of the physical experience involved with the control of an interactive experience. The involvement of a viewer in an artwork could be viewed as being more democratic than the autocratic experiences presented by older art forms." Read the full interview.
Vox Populi endows anyone with leadership, regardless of their personal wealth, family origins, or political connections. A video projected crowd chants "speech, speech" and encourages visitors to speak from a lectern. When a visitor speaks through the microphone, the voice is amplified and political speeches begin scrolling on a teleprompter located within the lectern. In response to a speaker’s voice, the crowd reacts with varying degrees of support and repulsion.
Other works by Don Ritter (Real movies available on site):
The Technophobe and the Madman: Internet-2 distributed musical
telecommunications video-music performance, 2001; 12 channels audio and 6 channels full screen video connection between Frederick Loewe Theatre, New York City and iEAR Studio, Troy, New York; collaborative performance: performers share audio and video between 2 cities.
Performance Telematique: Interactive telecommunications performance between two cities, 1993; PictureTel system, two channels full screen video and two channels audio Obscure, Quebec City, and McLuhan Program, University of Toronto, Canada (500 miles, 800 km).
Nervous Orpheus: Interactive telecommunications performance between two cities, 1994; PictureTel system, two channels full screen video and two channels audio; Vancouver and Toronto, Canada (2800 miles, 4500 km).
Posted by jo at September 4, 2004 11:34 AM